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Off-Broadway Review: “A Bright Room Called Day” at The Public’s Anspacher Theater

Tony Kushner’s dystopian vision has a firm grounding in the history of the rise of fascism in Germany in the early 1930s and in the methodical and somewhat meteoric rise of Adolf Hitler to Chancellor of the German Reich. This vision is embodied in “A Bright Room Called Day” currently running at The Public’s Anspacher Theater. Mr. Kushner places himself…

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Off-Broadway Review: “The Michaels” at The Public’s LuEsther Hall

Once again playwright Richard Nelson has gathered another family around the colloquial table to observe their trials and tribulations as they conquer another day of survival in Rhinebeck, New York. This time around it is “The Michaels” who are the subjects of this intimate study of human behavior. The revelations evolve almost in real time as friends and family convene…

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Off-Broadway Review: “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf” at The Public Theater’s Martinson Hall

Since its premiere at The Public in 1976 and its subsequent transfer to Broadway later that year, much has happened to continue to impact the lives of the women of color celebrated by Ntozake Shange in her choreopoem “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf” currently running at The Public Theater’s Martinson Hall. In this incarnation,…

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Off-Broadway Review: “Soft Power” at the Public’s Newman Theater

“Soft Power” – the culture-bending, plot-twisting musical within a play currently running at The Public’s Newman Theater – challenges the notion that the only effective parameters of power are money, race, and sex. These constructs of “hard” power are the hallmarks of greed, systemic racism, and misogyny and, from Xue Xing’s (a sensitive and alluring Conrad Ricamora) point of view,…

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Off-Broadway Review: “Fire in Dreamland” at The Public’s Anspacher Theater

“There have been, and will be again, many destructions of [humankind] arising out of many causes; the greatest have been brought about by the agencies of fire and water, and other lesser ones by innumerable other causes.” – Plato (“Timaeus”) Rinne Groff has created an engaging extended metaphor based on the 1911 fire that destroyed the iconic Dreamland on Coney…

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Off-Broadway Review: “Cyprus Avenue” at The Public’s LuEsther Hall

David Ireland’s “Cyprus Avenue” currently running at The Public’s LuEsther Hall sneaks up on the audience like a cat burglar armed with an AK-15 assault rifle. What one assumes will be lost is far less than the devastation left behind by the action in Ireland’s disquieting play. The detritus remaining after Eric Miller’s (Stephen Rea) violation of his wife Bernie…

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Off-Broadway Review: “Teenage Dick” at the Public’s Shiva Theater

Playwright Mike Lew characterizes his play “Teenage Dick” as “vaguely from Richard III.” The protagonist of this engaging and quite dark play is high school junior Richard Gloucester (Gregg Mozgala). Richard has CP and likes to speak with a Shakespearean flair and verbiage. His disability and diction have made him the object of verbal and physical harassment. This Roseland High…

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Off-Broadway Review: “Mlima’s Tale” at the Public’s Martinson Hall

“I’m Mlima of the Great Plains. Eldest of my clan. I was tracked for many days, taken by a poison arrow. Why are there so many of you?! Mumbi? Koko? Do you hear me?” Mighty Mlima, “Kenya’s most famous elephant,” – the old, large elephant “with extraordinary tusks” – is murdered for those tusks by the Somali poachers Raman and…

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Off-Broadway Review: “Miss You Like Hell” Redefines Redemption at the Public’s Newman Theater

After seeing her estranged daughter’s “veiled suicide threat” on her “anonymous” blog, Beatriz (the irrepressible Daphne Rubin-Vega) drives her truck “like a bat out of hell” from California to Philadelphia to take her daughter Olivia (the deeply reflective Gizel Jiménez) on a seven-day road trip. After some mild mid-adolescent protestations, Olivia – sixteen – agrees to the trip hoping, perhaps,…

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Off-Broaway Review: “The Low Road” at the Public’s Anspacher Theater

“The best laid schemes o’ mice an’ men/Gang aft a-gley.” – Robert Burns Ever wonder how Adam Smith might spin his own free market economic theory in the throes of the current global economic turmoil? Ponder no more. “The Low Road,” currently running at the Public’s Anspacher Theater, ends the need for further speculation. In the engaging and entertaining play…

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