Telsey + Company

Broadway Review: “Into the Woods” at the St. James Theatre (Currently On)

The most recent revival of the 1987 Broadway musical “Into the Woods” featuring music and lyrics from the late, great Stephen Sondheim is now making its triumphant return, playing at the St. James Theatre. It is without a doubt a fitting tribute to this musical theatre giant. Director Lear deBessonet has assembled an unrivaled cast of astute actors, who are…

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Off-Broadway Review: The New Group’s “Black No More” at The Pershing Square Signature Center (Closed Sunday, February 27, 2022)

A clue in in the “New York Times” crossword puzzle on Tuesday, February 15th was “Prefix with futurism.” The correct answer: ‘Afrofuturism,’ defined as “a cultural aesthetic that combines science-fiction, history and fantasy to explore the African-American experience and aims to connect those from the black diaspora with their forgotten African ancestry.” In 1931, George S. Schuyler explores the Afrofuturism literary…

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Broadway Review: “Grand Horizons” at Second Stage’s Hayes Theater

Plays parsing the viability of monogamy are nothing new. The “sacred” tie that binds “one man and one woman” have been under scrutiny since the mythic Adam and Eve stumbled out of the garden shortly after their creation and subsequent fall from grace. The current hype about the sanctity of heteronormative coupling makes the issue even more relevant despite the…

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Off-Broadway Review: “Halfway Bitches Go Straight to Heaven” at Atlantic Theatre Company’s Linda Gross Theatre

The epic new work penned by Stephen Adly Guirgis entitled “Halfway Bitches Go Straight to Heaven” refers to the vast array of residents in a transitional shelter for women on the upper Westside of Manhattan. It is a motley group of misfits of every age, race, size, color and sexual status that seem to have a firm grip on the…

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Off-Broadway Review: “The Underlying Chris” at Second Stage’s Tony Kiser Theater

A three-month-old infant named Chris looks up from his stroller at his thirty-something mother (Hannah Cabell) as she makes an appointment with his pediatrician for the next day at 11:15. Chris has twisted himself and possibly hurt his back after his big stuffed toy carrot hits him in the eye. Chris’s back injury isn’t the worst of his or his…

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Broadway Review: “The Sound Inside” at Studio 54

“In this poetic exploration of the auditory imagination, the third in his series on sonic aesthetics, Seán Street peoples silence with sound, travelling through and the shadow lands of the inner psyche. Our mind is a canvas on which the colours of the sound world leave permanent impressions. It is the root of all listening.” – “The Sound inside the…

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Off-Broadway Review: “Macbeth” at the Lynn F. Angelson Theater at Classic Stage Company

There has always been a curiosity and appreciation for bold attempts at new interpretations or the reimagining of the classics and it seems there have been endless attempts on putting a new spin on more than one of these masterworks. There appears to be one more paradigm of this artistic endeavor in the Classic Stage Company’s new production of “Macbeth”…

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Broadway Review: “Tina – The Tina Turner Musical” at the Lunt-Fontanne Theatre

There are two major elements that undeniably contribute to the success of the entrancing new Broadway Show “Tina – The Tina Turner Musical” now playing at the Lunt- Fontanne Theatre. The first is the captivating life journey of the musical icon and the second is the truly remarkable performance of Adrienne Warren that solidifies her star status on the Great…

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Broadway Review: “Linda Vista” at Second Stage Theater’s Helen Hayes Theater

The sharp and witty dialogue of the latest dramedy penned by playwright Tracy Letts is foreshadowed by the title “Linda Vista” which means “pretty view” in Spanish. The midlife crisis of a bitter fifty-year-old, divorced, white male, who seems to have an insatiable libido and absolutely no respect for women – preferring to exhibit his unbridled male testosterone – is…

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Broadway Review: “Harvey Fierstein’s Torch Song” at Second Stage’s Helen Hayes Theater

Loneliness, the quest for authentic and meaningful love, the fear of rejection, the need for respect, and the excruciating separation from situations of abuse are not unique to members of the LGBTQ+ community of any decade or location, and perhaps that is why audiences have responded positively to Harvey Fierstein’s “Torch Song Trilogy” since its Broadway production in 1982 at…

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