Off-Broadway

Off-Broadway News/Preview: PLAYWRIGHT JOHN J. CASWELL RETURNS TO PLAYWRIGHTS HORIZONS WITH “JEROME,’ A HAUNTING STORY OF GAY LOVE IN THE ARIZONA DESERT

May 29, 2026 | LGBTQ+, Off-Broadway, Queer > | "Jerome", "Wet Brain", Artistic Director Adam Greenfield, David Roberts, Dustin Wells, HIV/AIDS, John J. Caswell, Ken Barnett, New York Theatre Reviews, Playwrights Horizons, Stephen Spinella, Theatre Reviews, Theatre Reviews Limited, Tyrone Mitchell Henderson

John J. Caswell Jr.’s “Jerome” arrives at Playwrights Horizons this May as both a homecoming and a reckoning. The acclaimed playwright returns to the theater where his previous work “Wet Brain” earned critical acclaim, this time bringing a deeply personal story rooted in his own Arizona childhood—a play about two aging gay men living in isolation in a ghost town,…

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Off-Broadway Review: Bedlam’s “Othello” at the West End Theatre (Through Sunday, May 31, 2026)

“Othello,” for the most part, is considered to be one of Shakespeare’s best works, and there have been many attempts at all levels of theatre development to present the lengthy tragedy. Few succeed, many are just plain mediocre, and some miserably fail to convey the complexity of the characters, that are simply embodied by the intriguing script and poetic language….

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Off-Broadway Review: “Animal Wisdom” at The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center (Through Sunday, June 14, 2026)

Currently playing at the Romulus Linney Courtyard Theatre at Pershing Square Signature Center, Heather Christian’s “Animal Wisdom” is a self-described “requiem within a requiem” that got terribly lost at the Mass’s Introit and never found its way back to the spiritual center it promised to disclose to the audience. Christian bills the piece as multiple things simultaneously: her life story,…

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Theatre News: Heath Schwartz and Michelle Farabaugh Acquire Principal Ownership of Leading New York City-Based Publicity Firm Boneau/Bryan-Brown

May 21, 2026 | Broadway, News, Off-Broadway > | Adrian Bryan-Brown, Aperture Public Relations, Boneau/Bryan-Brown, Chris Boneau, Heath Schwartz, Inc., Michele Farabaugh

Veteran theatrical press agents Heath Schwartz and Michelle Farabaugh have acquired principal ownership of Boneau/Bryan-Brown, Inc., a publicity firm with over three decades of experience serving the theater industry, rebranding the company effective June 1, 2026 as Aperture Public Relations. Formed in 1991 by legendary press agents Chris Boneau and Adrian Bryan-Brown, who established the modern theatrical press agency model, Boneau/Bryan-Brown, Inc. has represented more than 400 theatrical productions on and…

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Off-Broadway Review: “Indian Princesses” at The Atlantic Theater (Through Sunday, June 7, 2026)

The YMCA’s “Indian Princesses” program—rebranded in recent years as “Adventure Princesses”—bills itself as wholesome father-daughter bonding through Native-inspired activities. Playwright Eliana Theologides Rodriguez knows better. Her grandmother and great-grandmother were forced through assimilation schools designed to sever Indigenous families from their heritage, language, and identity. What the YMCA packages as “family fun” is cultural appropriation built on the machinery of…

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Off-Broadway Review: “The Receptionist” at The Irene Diamond Stage at The Pershing Square Signature Center (Through Sunday, June 7, 2026)

May 19, 2026 | Off-Broadway > | "The Receptionist", Adam Bock, costume design by Enver Chakartash, David Roberts, Irene Diamond Stage, Joan Marcus, Katie Finneran (Beverly Wilkins), Lighting design by Stacey Derosier, Mallori Johnson (Lorraine Taylor), Nael Nacer (Edward Raymond), New York Theatre Reviews, Pershing Square Signature Center, Sarah Benson, Scenic Design by dots, sound design by Bray Poor, Theatre Reviews, Theatre Reviews Limited, Will Pullen (Martin Dart)

Adam Bock’s “The Receptionist” arrived in 2007 as a searing response to the Bush administration’s torture memos and the Abu Ghraib revelations. The play asked audiences to consider Hannah Arendt’s concept of the “banality of evil”—how ordinary people enable extraordinary harm through the simple machinery of their daily work. Beverly answers phones, brews coffee, and gossips with her colleague Lorraine…

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Off-Broadway Review: “KENREX” at the Lucille Lortel Theatre (Through Sunday, June 27, 2026)

May 3, 2026 | Off-Broadway, Thriller > | "KENREX", David Roberts, Ed Stambollouian, Jack Holden, John Patrick Elliott, lighting and video design by Joshua Pharo, Lucille Lortel Theatre, Manuel Harlan, New York Theatre Reviews, set and costume design by Anisha Fields, sound design by Giles Thomas, Theatre Reviews, Theatre Reviews Limited, with movement direction by Sarah Golding

Situational ethics and moral ambiguity take center stage in “KENREX,” the true crime thriller currently running at the Lucille Lortel Theatre. On July 10, 1981, in Skidmore, Missouri (population 400), a town bully was shot to death in broad daylight. Sixty witnesses watched it happen. Not one would identify the killer. Jack Holden’s astonishing solo performance—playing prosecutor David Baird, Ken…

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Off-Broadway Review: “Bughouse” at Vineyard Theatre (Through Sunday, April 5, 2026)

The latest offering at the Vineyard Theatre is “Bughouse,” conceived and directed by Martha Clarke, with a script adapted from the writings of Henry Darger, by Beth Henley. For those who are not familiar with the subject matter, Henry Darger was a prolific visual artist and epic novelist. He had a troubled childhood, losing his mother when he was 4…

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Off-Broadway Review: “Public Charge” at the Public’s Newman Theater (Through Sunday, April 12, 2026)

March 28, 2026 | Off-Broadway > | "Public Charge", Al Rodrigo, Armando Riesco, costume design by Haydee Zelideth, Dan Domingues, David Roberts, Deirdre Madigan, dialect coaching by Rosie Berrido, Doug Hughes, dramaturgy by Jack Phillips Moore, hair and wigs design by Earon Chew Nealey, Joan Marcus, John J. Concado, Julissa Reynoso, lighting design by Ben Stanton, Maggie Bofill, Marinda Anderson, Molly Foy, Nairoby Otero, Nate Betancourt, New York Theatre Reviews, original music by Carlos Henriquez, Paco Lozano, prop management by Samantha Llanes Gordon, Roxana Khan, scenic design by Arnulfo Maldonado, sound design and original music by David Van Tieghem, The Newman Theater, The Public Theater, Theatre Reviews, Theatre Reviews Limited, video design by Lucy MacKinnon, Yesenia Iglesias, Zabryna Guevara

At the center of Julissa Reynoso and Michael J. Chepiga’s “Public Charge,” now at the Public Theater, are two marginalized women who understood something the State Department establishment did not: that fifty years of failed policy toward Cuba needed to change. Julissa Reynoso (Zabryna Guevara), a Dominican immigrant and Obama campaign veteran, and Cheryl Mills (Marinda Anderson), Hillary Clinton’s Chief…

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Off-Broadway Review: “Cold War Choir Practice” at MCC Theater (Through Sunday, April 5, 2026)

The most devastating moment in Ro Reddick’s “Cold War Choir Practice” is not a Soviet missile strike. It is an American bomb, planted by an American cult, detonating on South Salina Street in Syracuse, New York. As flames consume Davis’s Candy Emporium and Atomic Fireballs rain down like radioactive fallout, 10-year-old Meek (Alana Raquel Bowers) watches her nightmare made literal…

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