Public Theater

Off-Broadway Review: “Hell’s Kitchen” at the Public’s Newman Theater (Closed Sunday, January 7, 2024 and Opens on Broadway Saturday, April 20, 2024)

Immediately after the first number in the new musical “Hell’s Kitchen” which is a loosely based auto biographical story about musician Alicia Keys growing up and coming of age during the late nineties in the New York City neighborhood which the show is named after, you get the feeling this might be headed to Broadway. That assumption would be right…

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Off-Broadway Review: “A Raisin in the Sun” at the Public Theater’s Newman Theater (Closed on Sunday, November 20, 2022)

Lorraine Hansberry’s “A Raisin in the Sun” debuted on Broadway in 1959 and appeared in London’s West End five months later. The musical adaptation “Raisin” won the Tony Award for Best Musical in 1973 and the play had two Broadway revivals in 2004 and 2014. This powerful and ground-breaking story of a financially strapped Chicago South Side Black extended family’s…

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Off-Broadway Review: The Public Theater and National Black Theatre (NBT) Production of “Fat Ham” at the Public’s Anspacher Theater (Closed Sunday, July 31, 2022)

Things are going as well as they can as Juicy (a pensive, smart, and gay Marcel Spears who is thicc, beautiful, and lonely) and his cousin and oldest friend Tio (a relaxed and clever Chris Herbie Holland who is a stoner) set up for what appears to be his mother’s wedding reception at her house in North Carolina. Earlier in…

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Off-Broadway Review: “Mlima’s Tale” at the Public’s Martinson Hall

“I’m Mlima of the Great Plains. Eldest of my clan. I was tracked for many days, taken by a poison arrow. Why are there so many of you?! Mumbi? Koko? Do you hear me?” Mighty Mlima, “Kenya’s most famous elephant,” – the old, large elephant “with extraordinary tusks” – is murdered for those tusks by the Somali poachers Raman and…

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Off-Broadway Review: “Miss You Like Hell” Redefines Redemption at the Public’s Newman Theater

After seeing her estranged daughter’s “veiled suicide threat” on her “anonymous” blog, Beatriz (the irrepressible Daphne Rubin-Vega) drives her truck “like a bat out of hell” from California to Philadelphia to take her daughter Olivia (the deeply reflective Gizel Jiménez) on a seven-day road trip. After some mild mid-adolescent protestations, Olivia – sixteen – agrees to the trip hoping, perhaps,…

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Off-Broadway Review: “Kings” at the Public Theater’s LuEsther Hall

If there was any doubt about the monumental influence of lobbyists on Members of Congress in Washington, D.C., that uncertainty was dispelled quickly after the tragic murder of seventeen students and faculty at Marjory Stoneman Douglas High School in Parkland, Florida on Wednesday February 14, 2018. Barely had the nations bereavement process begun before the NRA and the massive “I…

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Off-Broadway Review: “Measure for Measure” at the Public’s LuEsther Theater

“Give, and it will be given to you. A good measure, pressed down, shaken together and running over, will be poured into your lap. For with the measure you use, it will be measured to you.” – Luke 6:38 William Shakespeare’s plays have been abridged, modernized, and retold in every conceivable fashion. As the time for curtain approaches for “Measure…

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Broadway Review: “Sweat” Evaporates Quickly at Studio 54

“Sweat,” currently running on Broadway at Studio 54, seems to be a play about not what it is assumed to be about. It is not about post-election politics. It is not about the history of factory closings in America’s rust belt or the pandemic of brokenness in American cities. “Sweat” is about human brokenness, the kind of brokenness that results…

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