Clint Ramos

Off-Broadway Review: “Downtown Race Riot” at the New Group at Pershing Square Signature Center’s Romulus Linney Courtyard Theatre

The 1970s was a decade of unrest across the United States. Racial divides were exacerbated by socio-economic disparities and rising tensions between members of minority communities and the systemic racism inherent in the majority white population. This unrest was particularly evident in urban areas like New York City and, more specifically, in the West Village of Manhattan. One such riot…

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Broadway Review: “Once On This Island” at Circle in the Square Theatre

“Once On this Island” was certainly an enchanting and memorable visit twenty-seven years ago and that may in fact cloud the opinions expressed when recently returning to this island and commenting on what had changed. Some audience members may have experienced finding an unknown out of the way place that had a simple and charming ambience, with friendly locals that…

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Off-Broadway Review: “Torch Song” Wobbles at Second Stage’s Tony Kiser Theater

Loneliness, the quest for authentic and meaningful love, the fear of rejection, the need for respect, and the excruciating separation from situations of abuse are not unique to members of the LGBTQ community of any decade or location and perhaps that is why audiences have responded positively to Harvey Fierstein’s “Torch Song Trilogy” since its Broadway production in 1982 at…

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Off-Broadway Review: “The Whirligig” at the Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre

“And the wheel goes round and round./And the flame in our souls will never burn out./And the wheel, and the wheel goes round.” – Rosanne Cash, “Wheel” Under the brooding branches that overarch Derek McLane’s visually stunning set that “goes round,” Julie’s (played with sumptuous death-dodging life by Grace Van Patten) life coalesces into a gripping surreal reality in Hamish…

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