Emily Rebholz

Broadway Review: “Frankie and Johnny in the Clair de Lune” at the Broadhurst Theatre

“Pretend that we’re the only two people in the entire world, that’s what I’m doing, and it all falls into place.” – Johnny to Frankie Moonlight – the kind of light that shines into Frankie’s (Audra McDonald) apartment window at night – provides the best light for pretending. The kind of pretending that has the chance of making an incursion…

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Off-Broadway Review: “Nantucket Sleigh Ride” in the Mitzi E. Newhouse Theater at Lincoln Center Theater

In the 18th and 19th centuries, new phrases entered the language of the sailors who took to the sea off the island of Nantucket, one of the whaling capitals of the world during that period. One specific expression “Nantucket Sleigh Ride” describes what happens when a harpooned whale drags the sailors in their long boat across the surface of the…

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Off-Broaway Review: “The Low Road” at the Public’s Anspacher Theater

“The best laid schemes o’ mice an’ men/Gang aft a-gley.” – Robert Burns Ever wonder how Adam Smith might spin his own free market economic theory in the throes of the current global economic turmoil? Ponder no more. “The Low Road,” currently running at the Public’s Anspacher Theater, ends the need for further speculation. In the engaging and entertaining play…

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Off-Broadway Review: “Twelfth Night, Or What You Will” at Classic Stage Company

A visit to Classic Stage Company for the current production of “Twelfth Night” is almost like a case of Déjà vu: one could be watching the Company’s previous production of “As You Like it” which closed on October 22nd. The formula for both new productions of the Shakespeare classics involve adding music and singing, the same configuration of the theater…

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Off-Broadway Review: “Mary Jane” at New York Theatre Workshop”

In Part One of Amy Herzog’s “Mary Jane,” currently playing at the New York Theatre Workshop, Mary Jane (Carrie Coon) is at home caring for her two-and-a-half-year-old son Alex. She shares that responsibility with several professional caregivers, including Sherry (played with compassionate expediency by Liza Colón-Zayas) and Donna, the incompetent nurse the audience never sees. Alex, born at twenty-five weeks…

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Broadway Review: “Indecent” Shatters the Comfort of Safety at the Cort Theatre

Created by Paula Vogel and Rebecca Taichman, “Indecent” could not have opened on Broadway at the Cort Theatre at a more auspicious time. During an increasingly frenzied discussion about what is and what is not decent in contemporary American society and culture, this remarkable and stunning play – based on true events surrounding the 1923 Broadway debut of Sholem Asch’s…

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