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Broadway Review: “Water for Elephants” at the Imperial Theatre (Currently On)

When does “life” begin? Depending upon one’s religious beliefs, or scientific beliefs, or social media threads, the answer to the question is different. Does “life” begin at conception; in utero; at birth; in childhood; in adolescence; in old age; in death; or after death? Seen through the eyes of his older self in “Water for Elephants” (currently on at the…

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Off-Broadway Review: “The Gospel According to Heather” at Theater 555 (Closed Sunday, July 9, 2023)

“The Gospel According to Heather” a new musical which is now playing at Theater 555 fails to deliver any clear message let alone a gospel, constantly being sidetracked by insignificant subplots and ridiculous situations that try to reflect on the present socio-political turmoil. Just when the audience thinks it may get a grip on the proceedings, the musical switches gears…

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Dance/Book News: “Movement at the Still Point: An Evening of Dance” One Night Only at the Joyce Theater Celebrates Release of Mark Mann’s New Book “Movement at the Still Point: An Ode to Dance” (Monday, April 10, 2023)

World-renowned celebrity portrait photographer Mark Mann celebrates the release of his new coffee table book Movement at the Still Point: An Ode to Dance with a one night only star-studded evening of dance at the Joyce Theater, Monday, April 10, 2023. Celebrating the power of expression, in movement and stillness, Movement at the Still Point: An Evening of Dance offers a multi-disciplinary and multi-generational program of…

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Broadway Review: “The Piano Lesson” at the Ethel Barrymore Theatre (Closed Sunday, January 29, 2023)

Years after August Wilson’s “The Piano Lesson” was first produced on Broadway in 1990, Black playwrights have continued to grapple with this enduring question which defines the struggle between Bernice (an indomitable and passionate Danielle Brooks) and her brother Boy Willie (a broken but resilient John David Washington) in Wilson’s epic drama: “Is it possible to build one’s future without…

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Broadway Review: “Almost Famous” at the Bernard Jacobs Theatre (Closed Sunday, January 8, 2023)

In heeding the advice mentor Lester Bangs gives young music journalist William Miller, the following comments will be “honest and unmerciful.” Fans of the movie “Almost Famous” released twenty-two years ago may have mixed feelings about the musical stage version now playing on Broadway at the Bernard B. Jacobs Theatre. On the one hand, book writer Cameron Crowe has religiously…

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Off-Broadway News: St. Anne’s Emerges from the Pandemic More Ambitious Than Ever!

Drawing inspiration from concerts that evolved from Brooklyn front porches to its own rooftop balcony and large-scale exhibitions mounted on its exterior facade, St. Ann’s Warehouse returns, merging public art, theater, and activism at a whole new level. In September, St. Ann’s gathers hundreds of artists, cultural, and community-based organizations to welcome Little Amal, a 12’ tall puppet of a…

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Off-Broadway Preview/News: “Melissa Etheridge Off-Broadway: My Window – A Journey Through Life” at New World Stages (Through Sunday. October 23, 2022)

Producers Michael Cohl and EMC Presents, in association with Larry Mestel, Deborah Klein, and Steven Greener for Primary Wave Music announce today the world premiere of Grammy & Academy Award winner Melissa Etheridge’s new Off Broadway solo show, Melissa Etheridge Off Broadway: My Window – A Journey Through Life. Beginning Thursday, October 13, 2022, the show will play twelve performances…

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Off-Broadway Review: The New Group’s “Black No More” at The Pershing Square Signature Center (Closed Sunday, February 27, 2022)

A clue in in the “New York Times” crossword puzzle on Tuesday, February 15th was “Prefix with futurism.” The correct answer: ‘Afrofuturism,’ defined as “a cultural aesthetic that combines science-fiction, history and fantasy to explore the African-American experience and aims to connect those from the black diaspora with their forgotten African ancestry.” In 1931, George S. Schuyler explores the Afrofuturism literary…

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Broadway Review: “Caroline, or Change” at Roundabout’s Studio 54 (Closed Sunday January 9, 2022)

Racism, sexism, economic disparity, and stagnation roil beneath the surface Caroline Thibodeaux’s (an embattled yet resilient Sharon B Clarke) deep unhappiness, disappointment, and resistance to change in Tony Kushner’s “Caroline, or Change.” Currently enjoying a successful revival at Roundabout’s Studio 54, the Kushner/Tesori musical focuses on Caroline’s long days in the Louisiana “under water” basement of the Gellman family. “Sixteen…

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Pennsylvania Shakespeare Festival 2021 Main Stage Review: “How I Learned What I Learned” (Through Sunday July 11, 2021)

Pennsylvania Shakespeare Festival 2021 Main Stage Review: “How I Learned What I Learned” (Through Sunday July 11, 2021 By August Wilson Co-Conceived by Todd Kreidler Directed by Christopher V. Edwards Reviewed by David Roberts, Theatre Reviews Limited Looking carefully at the many windows looming upstage on Baron E. Pugh’s set for the Pennsylvania Shakespeare Festival 2021 Main Stage production of “How I…

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