Matthew Murphy

Broadway Review: “M. Butterfly” at the Cort Theatre

“M. Butterfly,” the stunning albeit straightforward play about fantasy, deception, espionage, and betrayal seems to have lost its way at the Cort Theatre. Whether this results from David Henry Hwang’s revisions and updates or from something inherent in the production itself is uncertain. This latest iteration focuses on Song Liling’s (Jin Ha) sexual status rather than on French diplomat Rene…

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Broadway Review: “The Parisian Woman” at the Hudson Theatre

Beau Willimon is perhaps best known for creating the successful Netflix original series “House of Cards” which is completing its final season. Much of what made the series so savvy was the way the writers exposed the chicanery and dishonesty of politics without “naming names.” The episodes wisely left making connections to current events to the viewers. Inspired by Henry…

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Broadway Review: Manhattan Theatre Club’s “Prince of Broadway” at the Samuel J. Friedman Theatre

Some audience members attending the engaging “Prince of Broadway,” currently running at the Samuel J. Friedman Theatre, might find themselves caught between the devil and the deep blue sea: either they are unforgiving musical theatre aficionados and find themselves constantly comparing the iconic musical numbers with the original Broadway production of the shows from which they come, or they have…

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Off-Broadway Review: “Curvy Widow” at the Westside Theatre

After Bobby’s (Nancy Opel) writer husband Jim (Ken Land) collapses dead on top of his typewriter, she begins to deal with her loss facing “half a life” and realizing Jim has been “all [she’s] ever known.” No longer “in control,” Bobby begins to ask important questions: “Is it time to make choices yet? Start again at my age?” Or is…

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