Sometimes there is no reason to try and improve or change something which would adhere to the adage “If it ain’t broke, don’t fix it.” Adjusting, tweaking, or trying to improve things when they already work well, can spell disaster. By altering the original parts or embellishing the simplicity of the original, it may in fact complicate or confuse the…
Tony and Grammy-nominated multi-platinum recording artist Josh Groban and Tony Award winner Annaleigh Ashford will both return to Broadway this spring in Sweeney Todd: The Demon Barber of Fleet Street, directed by Thomas Kail. Featuring music and lyrics by Stephen Sondheim, and a book by Hugh Wheeler, Sweeney Todd: The Demon Barber of Fleet Street will begin performances on February…
The nature-nurture psychological debate and the predestined-free will theological debate collide in Bess Wohl’s “Make Believe” currently running at Second Stage’s Tony Kiser Theater, resulting in the brave and somewhat disturbing exploration of the blurred boundaries between what is perceived to be real life and what is perceived to be make-believe. The playwright raises several enduring questions, including whether there…
After seeing her estranged daughter’s “veiled suicide threat” on her “anonymous” blog, Beatriz (the irrepressible Daphne Rubin-Vega) drives her truck “like a bat out of hell” from California to Philadelphia to take her daughter Olivia (the deeply reflective Gizel Jiménez) on a seven-day road trip. After some mild mid-adolescent protestations, Olivia – sixteen – agrees to the trip hoping, perhaps,…