soft power

soft power

Theatre News: New Theatre Journal “The Flashpaper: Theatre’s Thoughts on Right Now” on Sale Now

Arts journalist and editor Mark Blankenship is pleased to announce the debut of The Flashpaper: Theatre’s Thoughts on Right Now, a new journal dedicated to the urgent ideas of contemporary theater artists. Each issue of this print-only publication features original content created in response to a timely prompt from a diverse group of artists working in a variety of forms….

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Theatre News: Outer Critics Circle Awards Announce Honors for the 2019-2020 Broadway & Off-Broadway Season

The Outer Critics Circle (OCC), the official organization of writers on New York theatre for out-of-town newspapers and national publications, present the recipients of this year’s special honors for the 2019-2020 Broadway and Off-Broadway season. Past OCC Award honorees Kristin Chenoweth, Bryan Cranston, Patti LuPone, Lin-Manuel Miranda, and Patrick Stewart, announced this season’s honorees by video feed today, Monday May 11, 2020. In light of the current and unprecedented period…

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Off-Broadway Review: “Soft Power” at the Public’s Newman Theater

“Soft Power” – the culture-bending, plot-twisting musical within a play currently running at The Public’s Newman Theater – challenges the notion that the only effective parameters of power are money, race, and sex. These constructs of “hard” power are the hallmarks of greed, systemic racism, and misogyny and, from Xue Xing’s (a sensitive and alluring Conrad Ricamora) point of view,…

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Off-Broadway Review: “Skintight” at the Laura Pels Theatre at the Harold and Miriam Steinberg Center for Theatre

Thrown under the bus by her ex-husband Greg, a carping, selfish, completely self-centered Jodi Isaac (Idina Menzel) takes the red-eye from Los Angeles to New York City to “celebrate” her a self-assured father Elliot Isaac’s (Jack Wetherall) birthday. However, the real reason for her visit is that she “just, like couldn’t physically be in LA knowing” Greg and his new…

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Off-Broadway Review: “Pedro Pan” at the Acorn Theatre at Theatre Row

During the Fidel Castro regime, “Operation Pedro Pan” transported children fleeing the growing fears of Communist indoctrination in Cuba to the safety of the United States where some of the children were reunited with family or relatives while others were cared for by the Catholic Welfare Bureau. Based on this historic event, the new musical aptly titled “Pedro Pan” is…

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Broadway Review: “Escape to Margaritaville” is an Absolute Pleasure at the Marquis Theatre

Russia, Mueller, Syria, War, The Wall, Elections, Stormy, Stock Market, Tax Cuts, Scandal, Tariffs, DACA, Immigration and Tweets, are a few current headlines monopolizing the news, infecting and affecting our everyday lives. How can we avoid the negative socio-political environment and get away from it all? The answer may be easier and closer than you think. “Escape to Margaritaville” may…

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Off-Broadway Review: “Charolais” at 59E59 Theaters

“I hate that . . . cow. I hate her soft face and her solid head and her dirty yellow tag against your sweaty neck like cheap gold earrings.” – Siobhan There has been a fracas in farmer Jimmy’s shed that brings together three females in an unexpected display of power, principle, and panache. A battle ensues that leaves Siobhan’s…

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Off-Broadway Review: “Dorian Gray” at the New York Musical Festival at the Acorn Theatre at Theatre Row

Oscar Wilde might be turning in his grave, or at least twitching – that is if he has seen a certain NYMF production appropriately titled “Dorian Gray” a musical loosely based on his notorious provocative novel. There is a slight chance he might be flattered that young thespian artists would be interested and intent on creating this version but certainly…

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“Once Upon A Mattress” at the Transport Group Theatre Company at the Abrons Arts Center (Closed January 3, 2016)

Imagine a Kingdom – not just any Kingdom – where the Leader is under a spell that renders him mute and cannot be broken until the “mouse devours the hawk.” The Leader has no voice therefore no power. Imagine. Wait, there is such a Kingdom, in fact several of them where the leaders seem to be under spells that prevent…

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“Forever” at the New York Theatre Workshop (Closed Sunday May 31st, 2015)

“I would hurl words into this darkness and wait for an echo, and if an echo sounded, no matter how faintly, I would send other words to tell, to march, to fight, to create a sense of hunger for life that gnaws in us all.” Richard Wright, “Black Boy” (1945) With rhythms more reminiscent of song than spoken word, Dael…

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