Carol Rosegg

Off-Broadway Review: “Midnight at the Never Get” at York Theatre Company

The latest offering at York Theater Company’s Main Stage Series is the new musical “Midnight at the Never Get.” The production history started with a successful short run at New York’s historical “Don’t Tell Mama” cabaret, and then a run at NYMF in 2016. Subsequently it had a six-week 2017 run at Provincetown Inn, Massachusetts and returned to Provincetown for…

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Off-Broadway Review: “On Beckett” at Irish Repertory Theatre’s Francis J. Greenburger Mainstage

“On Beckett,” currently playing at Irish Repertory Theatre’s Francis J. Greenburger Mainstage, is part performance, part graduate school lecture (with perambulation), part predilections on whether Samuel Beckett’s writing is “natural clown territory,” and part perusal of the importance of culture and language – all presented with perfection and seemingly unbridled passion by Bill Irwin. During Mr. Irwin’s introduction, it becomes…

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Off-Broadway Review: “Teenage Dick” at the Public’s Shiva Theater

Playwright Mike Lew characterizes his play “Teenage Dick” as “vaguely from Richard III.” The protagonist of this engaging and quite dark play is high school junior Richard Gloucester (Gregg Mozgala). Richard has CP and likes to speak with a Shakespearean flair and verbiage. His disability and diction have made him the object of verbal and physical harassment. This Roseland High…

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Off-Broadway Review: “On a Clear Day You Can See Forever” at Irish Repertory Theatre on the Francis J. Greenburger Mainstage

Both upper-east-side resident Daisy Gamble (Melissa Errico) and psychiatrist Dr. Mark Bruckner (Stephen Bogardus) need clarity in their lives. Daisy lives in the Barbizon Hotel for Women and is applying for a job at Latimer and Latimer and has “until the afternoon” to quit smoking to meet the company’s policies. She is down to her “last month’s rent. Daisy does…

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Off-Broadway Review: “All I Want Is One Night” at 59E59 Theaters

Once again, a stage at 59E59 welcomes the wonderful Jessica Walker to Brits Off Broadway with her new show “All I Want Is One Night,” a somewhat bio-musical about the openly lesbian French chanteuse Suzy Solidor who opened her own nightclub La Vie Parisienne in the 1930s. Solidor’s claim to fame erupted from a publicity stunt to be recognized as…

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Off-Broadway Review: “Desperate Measures” at New World Stages

After its previous three-time extended sold out run at the York Theatre Company, “Desperate Measures” is back Off-Broadway and the antics of rabble-rousing Johnny Blood are as bodacious and bawdy as ever. Although billed as being “loosely based” on the classic Shakespearian comedy, “Desperate Measures,” currently playing at New World Stages, has the “guts” of “Measure for Measure” with the…

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Off-Broadway Review: “Woman and Scarecrow” Challenges the Living at Irish Repertory Theatre’s W. Scott McLucas Stage

“[One] not busy being born is busy dying.” – Bob Dylan, “It’s Alright, Ma (I’m Only Bleeding)” It is one thing to have an imaginary friend, created to be summoned at will for conversation, company, and surcease from sorrow. It is quite another thing to have an alter ego, perhaps once created, but able to appear at its will and…

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Off-Broadway Review: “The Beast in the Jungle” at the Vineyard Theatre

A novella by Henry James is the inspiration for the new Dance Play “The Beast in the Jungle” which marks the final mainstage production of the Vineyard Theater’s 35th Anniversary Season. The book by David Thompson follows the escapades of John Marcher (a credible Peter Friedman) over several decades, as he battles demons and searches for the single entity that…

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Off-Broadway Review: Sensibility Reigns in “Summer and Smoke” at Classic Stage Company

Begun in 1945, and first produced in 1947, Tennessee Williams called “Summer and Smoke” a “drama of sensibility.” Rich in allegory, yet grounded in realism, the play explores the deep conflicts between body and soul and between the sacred and the profane and examines the themes of the marginalized and the results of having a poorly integrated sexuality. Currently running…

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Off-Broadway Review: “The Seafarer” at Irish Repertory Theatre

The latest offering of the Irish Repertory Theatre is the revival of “The Seafearer” by Conor McPherson, which opened on Broadway in 2007 and was nominated for a TONY award for best play that season. It follows the renowned style of the playwright, producing incredible natural dialogue, executed in somewhat ordinary life situations, with a collection of disreputable characters, and…

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