Off-Broadway Review: The Pond Theatre Company’s “The Naturalists” at Walkerspace

Currently playing at Walkerspace, The Pond Theatre Company’s “The Naturalists” is a compelling look at how one’s “secret” past can suddenly and unexpectedly encroach on the present and delay one’s progress into the future. Brothers Francis Sloane (a thoughtful and tender John Keating) and Billy Sloane (a defiant and burdened Tim Ruddy) enjoy an uneventful present in their mobile home…

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News: Outer Critics Circle Announces New Members of Executive/Nominating Committee

Outer Critics Circle, the organization of writers and commentators covering New York theatre for out-of-town newspapers, national publications and other media beyond Broadway, announced on Friday September 14, 2018 Cynthia Allen, Richard Ridge, David Roberts and Janice Simpson will serve as new members of the OCC Executive/Nominating Committee.  “The Outer Critics Circle found itself in a period of transition during the springtime, as we…

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Off-Broadway Review: “Days to Come” at Mint Theater Company at Theatre Row’s Beckett Theatre

The moral turpitude of those who “consume” is in the spotlight in Lillian Hellman’s 1936 “Days to Come” currently running at Mint Theater Company at Theatre Row’s Beckett Theatre. On the surface, Hellman’s second play focuses on the dispute between labor and management in the small town of Callom, Ohio where Andrew Rodman’s (willful but wimpish Larry Bull) family brush…

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Off-Broadway Review: “Smokey Joe’s Café” at Stage 42

“Faded pictures in my scrapbook/Just thought I’d take one more look/And recall when we were all/In the neighborhood.” – “Neighborhood” The revival of Grammy-Award-Winning “Smokey Joe’s Cafe: The Songs of Leiber & Stoller,” having headed south from its recent engagement at the Ogunquit Playhouse in Maine, has landed at Stage 42 in New York City to positive notices from the…

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Off-Broadway Review: “Be More Chill” at The Irene Diamond Stage at The Pershing Square Signature Center

It is difficult to separate “Be More Chill,” currently running The Irene Diamond Stage at The Pershing Square Signature Center, from the hype surrounding what has become a teenage cult musical since its 2015 run at the Two River Theater in Red Bank, New Jersey. This hype has been heightened by a cast recording and an extensive marketing campaign. What…

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Off-Broadway Review: “Bergen” at the Broadway Bound Theatre Festival at the 14th Street Y Theatre

There is a bleak, doleful new play entitled “Bergen” that is being presented as part of The Broadway Bound Festival at the 14th Street Y. More a play with songs than a musical, “Bergen” is set in the near future in Norway where a motley group of mediocre rock musicians try to decide what to name their band. They set…

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Off-Broadway Review: “The Field” at the Broadway Bound Theatre Festival at the 14th Street Y Theatre

At the beginning of Emily Emerson’s “The Field,” recently finishing its run at the Broadway Bound Theatre Festival at the 14th Street Y Theatre, the cornfields of Avon, Virginia are ready to be turned under by the hardworking farmers and the lives of hundreds of other hardworking women and men in the town have been “turned under” by the closure…

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Off-Broadway Review: “Long Lost John: A Lennon Family Story” at the Broadway Bound Theatre Festival at the 14th Street Y Theatre

Currently running at the Broadway Bound Theatre Festival at the 14th Street Y, the new play entitled “Long Lost John: A Lennon Family Story” by Eddie Zareh examines the early childhood of John Lennon. It addresses the complications and grief that arose from first being taken from his mother and put in the care of his Aunt Mimi by order…

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Off-Broadway Review: “Sunset Village” at the Broadway Bound Theatre Festival at the 14th Street Y Theatre

“Sunset Village,” the new play by Michael Presley Bobbitt, is having its premiere as part of the Broadway Bound Theatre Festival at the 14th Street Y. The success of this show will certainly depend on whether it will be carefully marketed to find the correct venue along with the appropriate audience. The best and most noteworthy attribute of the play…

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Off-Broadway Review: “The House That Will Not Stand” Celebrates Freedom’s Prodigality at New York Theatre Workshop

Beartrice Albans (a resolute and Machiavellian Lynda Gravátt) spent her life under the oppressive laws that governed people of color in the colony of Louisiana. Specifically, she was Lazare’s placée a status that allows her as a woman of color to set up common law households with a white man to circumvent legal prohibitions. Beartrice’s mother signed the papers that…

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