Maryann Plunkett

Off-Broadway Review: “The Loved Ones” at Irish Repertory Theatre (Through Sunday, August 2, 2026)

“The Loved Ones” seems to open with a rather accessible setup. Gabby, a young Black college student, arrives at Nell’s house with suitcase and backpack in tow. Her arrival is unexpected and unannounced. She announces that she is in her seventh month of pregnancy and that Nell’s son Robin, who has been deceased for six months, is the father. Gabby…

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Broadway Review: “The Notebook” at the Gerald Schoenfield Theatre (Currently On)

If you did not read the Nicholas Sparks novel “The Notebook,” you most likely saw the movie of the same name based on the novel and if you saw the movie chances are you have plans to see the new Broadway musical, with the same name and somewhat the same story, with just a few changes. Bekah Brunstetter has penned…

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Off-Broadway Review: “The Michaels” at The Public’s LuEsther Hall

Once again playwright Richard Nelson has gathered another family around the colloquial table to observe their trials and tribulations as they conquer another day of survival in Rhinebeck, New York. This time around it is “The Michaels” who are the subjects of this intimate study of human behavior. The revelations evolve almost in real time as friends and family convene…

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Off-Broadway Review: Final Performances of “The Plough and the Stars” at Irish Repertory Theatre

Irish Rep’s “The Plough and the Stars” (1926) closes after the Sunday June 22nd performance. Part of the Sean O’Casey Cycle (the Dublin Trilogy) at Irish Repertory Theatre, the groundbreaking play ran in repertory with O’Casey’s “The Shadow of a Gunman” (1923) and “Juno and the Paycock” (1924) and was the company’s debut production in 1988. Artistic Director Charlotte Moore…

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