Marin Ireland

Off-Broadway Review: “Morning Sun” at Manhattan Theatre Club at New York City Center – Stage I (Closed Sunday December 19, 2021)

“I’m very scared. I’m very confused it’s very bright here please just tell me whether or not I am safe.” These are among the first words spoken by Charley McBride (an ethereal and impassioned Edie Falco) in Simon Stephens’s “Morning Sun” currently running at Manhattan Theatre Club at New York City Center – Stage I. Charley is surrounded by her…

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Theatre Preview: The Homebound Project Features Collections of New Theatrical Work in Limited Release View-At-Home Recordings

Over 50 leading and emerging actors and playwrights have united for The Homebound Project, a new independent, online theater initiative created to help feed children affected by COVID-19. Founded by playwright Catya McMullen and director Jenna Worsham, The Homebound Project is theater made to raise funds for nonprofit organizations working at the forefront of the pandemic. Each edition of The…

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Off-Broadway Review: “Happy Talk” at the New Group at Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre

Happy talk – the type of verbal communication, replete with counterfeit smiles, that too often serves as a replacement for authentic connection between individuals – cascades across the stage at the New Group’s world premiere of Jesse Eisenberg’s “Happy Talk” at the New Group at Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre. Lorraine (a broken and dangerous Susan…

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Off-Broadway Review: “Blue Ridge” at Atlantic Theater Company’s Linda Gross Theater

Abby Rosebrock introduces an interesting mélange of broken characters in her new play “Blue Ridge” currently running at Atlantic Theater Company’s Linda Gross Theater. She drops these six disparate “recovering” personalities into the vortex of a Christian halfway house in the Blue Ridge Mountains of western North Carolina. Pastor Hern (a cagey but caring Chris Stack) and his partner Grace…

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Off-Broadway Review: Sensibility Reigns in “Summer and Smoke” at Classic Stage Company

Begun in 1945, and first produced in 1947, Tennessee Williams called “Summer and Smoke” a “drama of sensibility.” Rich in allegory, yet grounded in realism, the play explores the deep conflicts between body and soul and between the sacred and the profane and examines the themes of the marginalized and the results of having a poorly integrated sexuality. Currently running…

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