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Off-Broadway Review: “Mary Page Marlowe” at Second Stage’s Tony Kiser Theater

Dreams. Daydreams. The dreamers write the scripts casting characters from their lives and casting themselves as the protagonists. The dreamers, write, cast, act in, and direct these phantasmagoric and kaleidoscopic vignettes that are “performed” while they are nestled in REM sleep or daydreaming on public transportation or at work. “Mary Page Marlowe,” currently running at Second Stage’s Tony Kiser Theater,…

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Off-Broadway Review: “Downtown Race Riot” at the New Group at Pershing Square Signature Center’s Romulus Linney Courtyard Theatre

The 1970s was a decade of unrest across the United States. Racial divides were exacerbated by socio-economic disparities and rising tensions between members of minority communities and the systemic racism inherent in the majority white population. This unrest was particularly evident in urban areas like New York City and, more specifically, in the West Village of Manhattan. One such riot…

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Preview: “Natasha, Pierre, & the Great Comet of 1812” Opens on Broadway at the Imperial Theatre on Monday November 14, 2016

Complete casting has been announced for the new musical NATASHA, PIERRE & THE GREAT COMET OF 1812, featuring the Broadway debuts of 24 cast and creative team members including Josh Groban* as ‘Pierre’ and Denée Benton* as ‘Natasha.’ Created by Dave Malloy* (Ghost Quartet, Preludes) and directed by Rachel Chavkin* (Hadestown, Artistic Director of The TEAM) – also making their Broadway debuts – THE GREAT COMET will blaze into Broadway’s Imperial Theatre (249 West 45th Street) beginning October…

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Off-Broadway Review: “Kentucky” at Ensemble Studio Theatre

Armed with the promise of her therapist’s willingness to offer phone support and clutching a bottle of sedatives from the same therapist, Hiro (played with a steely vulnerability by Satomi Blair) flies from New York to Kentucky to convince her younger sister Sophie (played with a charming but confident core by Sasha Diamond) not to marry Da’Ran (played with exquisite…

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Off-Broadway Review: “Exit Strategy” at Primary Stages at the Cherry Lane Theatre

April 12, 2016 | LGBTQ+, mary page, Off-Broadway > | Tags:

“After great pain, a formal feeling comes -/The Nerves sit ceremonious, like Tombs-/The stiff Heart questions was it He, that bore, And Yesterday, or Centuries before?” (Emily Dickinson, #341) Educators and academics have been trying to determine why schools fail for decades and have yet to identify successfully a formula for preventing the pandemic failure of education – particularly in…

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