Derek McLane

Off-Broadway Review: The New Group’s “Black No More” at The Pershing Square Signature Center (Closed Sunday, February 27, 2022)

A clue in in the “New York Times” crossword puzzle on Tuesday, February 15th was “Prefix with futurism.” The correct answer: ‘Afrofuturism,’ defined as “a cultural aesthetic that combines science-fiction, history and fantasy to explore the African-American experience and aims to connect those from the black diaspora with their forgotten African ancestry.” In 1931, George S. Schuyler explores the Afrofuturism literary…

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Off-Broadway Review: The New Group’s “Bob & Carol & Ted & Alice” in The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center

The question that remains in my mind is why anyone would attempt to create a musical based on the dated 1969 motion picture “BOB & CAROL & TED & ALICE?” Granted the meant to be comedy written by Paul Mazursky and Larry Tucker for the big screen ventured into uncharted territory with infidelity, the sexual revolution and wife swapping making…

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Broadway Review: “Moulin Rouge! The Musical” at the Al Hirschfeld Theatre

Although the new Broadway musical “Moulin Rouge! The Musical” takes place in Paris in 1899, it is without a doubt a “Cabaret” for the 21st Century. It captures the sounds of Lady Gaga, Katie Perry, Patti Labelle, Beyonce, Elton John and an endless host of others as they are woven into the plot with unequivocal brilliance. Those all familiar high-octane…

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Off-Broadway Review: “Happy Talk” at the New Group at Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre

Happy talk – the type of verbal communication, replete with counterfeit smiles, that too often serves as a replacement for authentic connection between individuals – cascades across the stage at the New Group’s world premiere of Jesse Eisenberg’s “Happy Talk” at the New Group at Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre. Lorraine (a broken and dangerous Susan…

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Broadway Review: “Children of a Lesser God” at Studio 54

“For why is all around us here/As if some lesser god had made the world/But had not force to shape it as he would?” – Alfred Tennyson The current Broadway revival of the groundbreaking play “Children of a Lesser God,” the first since it opened thirty-eight years ago to win the TONY award for best play, does not seem to…

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Off-Broadway Review: “Downtown Race Riot” at the New Group at Pershing Square Signature Center’s Romulus Linney Courtyard Theatre

The 1970s was a decade of unrest across the United States. Racial divides were exacerbated by socio-economic disparities and rising tensions between members of minority communities and the systemic racism inherent in the majority white population. This unrest was particularly evident in urban areas like New York City and, more specifically, in the West Village of Manhattan. One such riot…

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Broadway Review: “The Parisian Woman” at the Hudson Theatre

Beau Willimon is perhaps best known for creating the successful Netflix original series “House of Cards” which is completing its final season. Much of what made the series so savvy was the way the writers exposed the chicanery and dishonesty of politics without “naming names.” The episodes wisely left making connections to current events to the viewers. Inspired by Henry…

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Off-Broadway Review: “The End of Longing” at MCC Theater at the Lucille Lortel Theatre

  “The End of Longing,” now playing and extended by popular demand at the Lucille Lortel Theatre, is yet another example of the evermore trending evidence that the use of star power will attract an audience regardless of the merit of the vehicle. In this case it is Matthew Perry starring in his less than interesting playwriting debut, which only…

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Off-Broadway Review: “The Whirligig” at the Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre

“And the wheel goes round and round./And the flame in our souls will never burn out./And the wheel, and the wheel goes round.” – Rosanne Cash, “Wheel” Under the brooding branches that overarch Derek McLane’s visually stunning set that “goes round,” Julie’s (played with sumptuous death-dodging life by Grace Van Patten) life coalesces into a gripping surreal reality in Hamish…

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