history

history

Off-Broadway Review: “Log Cabin” at Playwright’s Horizons

Ezra’s (Jesse Tyler Ferguson) stories about his father’s reaction to the news that Ezra was marrying Chris (Phillip James Brannon) and then, later, that they were going to have a baby serve as bookends for Jordan Harrison’s LGBTQ themed new play about “our origins” and how “denying our origins is not healthy nor is denying our children the right to…

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Off-Broadway News: Extension Announced for “Sugar in Our Wounds” at Manhattan Theatre Club at New York City Center – Stage II

Due to popular demand, Manhattan Theatre Club (Lynne Meadow, Artistic Director and Barry Grove, Executive Producer) is pleased to announce one additional week of performances for the world premiere of of Sugar in Our Wounds, a new play by Donja R. Love, directed by Saheem Ali (Twelfth Night for the Public Theater’s Mobile Unit), at The Studio at Stage II –…

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Off-Broadway Review: “Secret Life of Humans” at 59E59 Theaters

It is difficult to parse David Byrne’s “Secret Life of Humans,” currently running at 59E59 Theaters, without issuing spoiler alerts. As the eighty-five-minute play unfolds, three “stories” – one lasting a single night, one across a lifetime, and one that spans humanity’s sixty-million-year history, collide in a cathartic resolution that jangles the senses. Inspired by Yuval Harari’s “Sapiens: A Brief…

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News: Broadcast Music, Inc. (BMI) Extends Application Deadline for The BMI Engel Musical Theatre Librettists Workshop

Broadcast Music, Inc. (BMI), global leader in music rights management, has extended the application deadline for The BMI Lehman Engel Musical Theatre Librettists Workshop to Friday, June 8th. This prestigious program works to enhance and develop skills in musical theatre bookwriting. All workshop fees, including applications, are FREE for participants. Must be 18 years or older, while BMI membership is encouraged,…

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Broadway Review: “Saint Joan” at Manhattan Theatre Club’s Samuel J. Friedman Theatre

“No sir: we are afraid of you; but she puts courage into us. She really doesn’t seem to be afraid of anything. Perhaps you could frighten her, sir.” – Robert de Baudricourt’s Steward, Scene 1, “Saint Joan” George Bernard Shaw has had a successful run on Broadway in the 2017-2018 season. Shaw’s “Pygmalion” lies at the heart of Lerner and…

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Broadway Review: “Carousel” at the Imperial Theatre

The beloved Rogers and Hammerstein “Carousel” has not often been revived on the Broadway stage since it first opened to critical acclaim in 1945, so this third incarnation, after a long hiatus since the highly successful production at Lincoln Center in 1994, will be welcomed by audiences who savor the familiar lavish score. Theater aficionados will be delighted by the…

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Broadway Review: “Children of a Lesser God” at Studio 54

“For why is all around us here/As if some lesser god had made the world/But had not force to shape it as he would?” – Alfred Tennyson The current Broadway revival of the groundbreaking play “Children of a Lesser God,” the first since it opened thirty-eight years ago to win the TONY award for best play, does not seem to…

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Off-Broadway Review: “Jerry Springer – The Opera” at The Pershing Square Signature Center’s Romulus Linney Courtyard Theatre

When one thinks of the Jerry Springer Show (past and present), one might not think of ‘opera.’ However, in 2000, the seeds of that exact concept were planted by Richard Thomas at London’s Battersea Arts Centre with his “Tourette’s Diva” and in 2001 with his “How to Write an Opera About Jerry Springer” at the same venue. The success of…

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Off-Broadway Review: “A Letter to Harvey Milk” at Theatre Row’s Acorn Theatre

The new musical “A Letter to Harvey Milk” has good intentions but becomes confusing as it attempts to address too many issues and wavers from emotional drama to Borsht Belt comedy. Death and grieving, homosexuality, Judaism, rejection, loneliness, and creativity are just a few of the topics unearthed in a short ninety minutes but never fully developed. It almost seems…

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Off-Broadway Review: “Downtown Race Riot” at the New Group at Pershing Square Signature Center’s Romulus Linney Courtyard Theatre

The 1970s was a decade of unrest across the United States. Racial divides were exacerbated by socio-economic disparities and rising tensions between members of minority communities and the systemic racism inherent in the majority white population. This unrest was particularly evident in urban areas like New York City and, more specifically, in the West Village of Manhattan. One such riot…

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