on the head of a pin

on the head of a pin

Off-Broadway Review: “Hitler’s Tasters” at IRT Theater

Kudos to the team of women (all women!) that wrote, directed, performed in, and filled all positions in the creative team for “Hitler’s Tasters” currently running at IRT Theater. The play examines the conflicts of the fifteen German young women who were conscripted to be Hitler’s tasters. They were initially transported daily to and from a school to fulfill their…

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Off-Broadway Review: “The Field” at the Broadway Bound Theatre Festival at the 14th Street Y Theatre

At the beginning of Emily Emerson’s “The Field,” recently finishing its run at the Broadway Bound Theatre Festival at the 14th Street Y Theatre, the cornfields of Avon, Virginia are ready to be turned under by the hardworking farmers and the lives of hundreds of other hardworking women and men in the town have been “turned under” by the closure…

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Broadway Review: “The Play That Goes Wrong” at the Lyceum Theatre Extends Through January 6, 2019

During the April 2, 2000 matinee performance of Julie Taymor’s “Green Bird” at the Cort Theatre, a flying wall accidently struck actor Reg. E. Cathey during a set change in the dark. This unexpected interruption resulted in the cancellation of the performance and sent Cathey to the hospital for x-rays. Fortunately, the actor was not seriously hurt and was reported…

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News: Broadcast Music, Inc. (BMI) Extends Application Deadline for The BMI Engel Musical Theatre Librettists Workshop

Broadcast Music, Inc. (BMI), global leader in music rights management, has extended the application deadline for The BMI Lehman Engel Musical Theatre Librettists Workshop to Friday, June 8th. This prestigious program works to enhance and develop skills in musical theatre bookwriting. All workshop fees, including applications, are FREE for participants. Must be 18 years or older, while BMI membership is encouraged,…

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Off-Broadway Review: “Admissions” Dissects Belief Systems at Lincoln Center’s Mitzi E. Newhouse Theater

When a speaker raises alternate views of a significant problem and seems at one point to take “one side” and then “the other side,” and then advocates for the purity of moral ambiguity – presenting profound rhetorical arguments for each of those points of view – the audience is left bombarded by what seems like conflicting ethos, pathos, and logos…

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Broadway Review: “Farinelli and the King” at the Belasco Theatre

Italian castrato Farinelli (Sam Crane) soothes the troubled mind of Spain’s King Philippe V (Mark Rylance) who suffers from what the Diagnostic and Statistical Manual of Mental Disorders would code as a bipolar disorder. Despite support from the King’s physician Dr. Jose Cervi (Huss Garbiya), the Chief Minister of Spain Don Sebastian De La Cuadra (Edward Peel) advocates for the…

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Off Broadway Review: “The Treasurer” at Playwrights Horizons’ Peter Jay Sharp Theater

Max Posner’s “The Treasurer,” currently running at Playwrights Horizons’ Peter Jay Sharp Theatre, is a play about Ida Armstrong’s (played with a fragile irascibility by Deanna Dunagan) youngest son (played with an equally fragile ego strength by Peter Friedman) whose siblings have placed him in charge of their mother’s bank account, her spending, her assets and her liabilities. This role of…

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Off-Broadway Review: “Charolais” at 59E59 Theaters

“I hate that . . . cow. I hate her soft face and her solid head and her dirty yellow tag against your sweaty neck like cheap gold earrings.” – Siobhan There has been a fracas in farmer Jimmy’s shed that brings together three females in an unexpected display of power, principle, and panache. A battle ensues that leaves Siobhan’s…

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News: Cherry Lane Theatre’s Artistic Director Angelina Fiordellisi Steps Down as Artistic Director of Cherry Lane

Cherry Lane Theatre’s Founding Artistic Director Angelina Fiordellisi will step down as Artistic Director of Cherry Lane, where she has been developing, producing and creating new programs for playwrights, and has been a driving force since she acquired the legendary Off-Broadway theatre 21 years ago. The Board of Directors of Cherry Lane Theatre have officially tapped Ms. Fiordellisi’s longtime associates,…

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Broadway Review: “The Terms of My Surrender” Unshackles Fear at the Belasco Theatre

Michael Moore is without doubt an iconic figure. Mr. Moore’s “The Terms of My Surrender,” currently playing a limited engagement at the Belacso Theatre, dispels any doubt about his archetypal status. Near the end of the lengthy two-hour and twenty-five-minute monologue (with a guest and some needless dancing and questionable – though pleasurable – stripping male “police officers”), Michael Moore…

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