Christopher Akerlind

Off-Broadway Review: “Sing Street” at New York Theatre Workshop

Quite a few audience members may be familiar with the 2016 film “Sing Street” which the new musical being presented at New York Theatre Workshop is based on and hails by the same name. Playwright Edna Walsh is responsible for transporting the work of John Carney to the stage after being so successful in their first collaboration with the production…

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Off-Broadway Review: “A Letter to Harvey Milk” at Theatre Row’s Acorn Theatre

The new musical “A Letter to Harvey Milk” has good intentions but becomes confusing as it attempts to address too many issues and wavers from emotional drama to Borsht Belt comedy. Death and grieving, homosexuality, Judaism, rejection, loneliness, and creativity are just a few of the topics unearthed in a short ninety minutes but never fully developed. It almost seems…

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Broadway Review: “Time and the Conways” at the American Airlines Theatre

“No, Time’s only a kind of dream, Kay. If it wasn’t, it would have to destroy everything—the whole universe—and then remake it again every tenth of a second. But Time doesn’t destroy anything. It merely moves us on—in this life—from one peephole to the next.” – Alan to Kay Rebecca Taichman’s staging of “Time and the Conways,” currently running at…

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Broadway Review: “Indecent” Shatters the Comfort of Safety at the Cort Theatre

Created by Paula Vogel and Rebecca Taichman, “Indecent” could not have opened on Broadway at the Cort Theatre at a more auspicious time. During an increasingly frenzied discussion about what is and what is not decent in contemporary American society and culture, this remarkable and stunning play – based on true events surrounding the 1923 Broadway debut of Sholem Asch’s…

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