The musical “Titanique,” a parody of the well-known movie “Titanic,” has managed to dock at the Broadway stage of the St. James Theatre after it set sail from Los Angeles in 2017. It made a couple of stops at the Green Room for its New York premiere in 2018, and then berthed for three years at the off-Broadway, Asylum Theatre,…
The new musical “Redwood,” which recently opened at the Nederlander Theatre on Broadway, certainly lives up to the title, featuring the magnificent giant redwood tree that seamlessly moves on and off-stage as needed. In fact, it may be one of the best characters, given the name Stella, in this long, tedious and banal musical which was conceived by its star…
There are very few words not sung but spoken in the rock musical “Tommy,” but three that might be relevant are “Brilliant, wasn’t it?” spoken by a local lad that happens to be part of a larger audience, amazed, while watching Tommy play his first game of pinball in a pool hall. Unfortunately, they are not the three words that…
After all the hype and waiting it is here. The new Broadway musical “Shucked,” with a book by Robert Horn, and music and lyrics by Brandy Clark and Shane McAnally, has opened and is currently playing at The Nederlander Theatre. The result resembles the aftermath of a collision between “The Music Man” and “Hee Haw” that took place in a…
Yann Martel’s 2001 novel “Life of Pi” is a coming-of-age story, the story of “one boy, one boat, one tiger.” Walker/Canongate published Martel’s Booker Prize novel in 2010 as a young adult novel which found its way onto school bookshelves across the United States (and beyond). It was a popular read in the high school where I taught. My colleagues…
Most, if not all, of my colleagues did not like “Bad Cinderella.” However, the performance I recently attended was sold out and that often undervalued pundit known as “the audience” could not have been more appreciative of what they experienced on the stage of the Imperial Theatre. It is important for us theatre critics to remember that often unheralded phenomenon…
Perhaps one of the best reasons to attend the present revival of “Sweeney Todd: The Demon Barber of Fleet Street” is to hear the exceptional score by the late Stephen Sondheim, gloriously presented by a twenty-six-piece orchestra, which resounds through the Lunt-Fontanne Theatre, echoing a menagerie of emotional themes. There is a Brecht-Weil semblance, as a populace from London’s underbelly…
The most recent revival of the 1987 Broadway musical “Into the Woods” featuring music and lyrics from the late, great Stephen Sondheim is now making its triumphant return, playing at the St. James Theatre. It is without a doubt a fitting tribute to this musical theatre giant. Director Lear deBessonet has assembled an unrivaled cast of astute actors, who are…
“The Great Society,” the second installment of playwright Robert Schenkkan’s biographical account of the years Lyndon B. Johnson spent as president in the White House, is less a drama and more a chronological list of the destructive events the plagued his second term in office. To the playwright’s credit, it is extensively detailed and factual; however, to his discredit, it…