Off-Broadway

Off-Broadway Review: The New Group’s “Bob & Carol & Ted & Alice” in The Romulus Linney Courtyard Theatre at The Pershing Square Signature Center

The question that remains in my mind is why anyone would attempt to create a musical based on the dated 1969 motion picture “BOB & CAROL & TED & ALICE?” Granted the meant to be comedy written by Paul Mazursky and Larry Tucker for the big screen ventured into uncharted territory with infidelity, the sexual revolution and wife swapping making…

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Off-Broadway Preview: “The Bedwetter” at Atlantic Theater Company’s Linda Gross Theater

Atlantic Theater Company (Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director) is proud to announce casting for the world premiere production of “The Bedwetter,” a new musical with a book by Drama Desk Award winner Joshua Harmon and Emmy Award winner Sarah Silverman, lyrics by Emmy Award winner Adam Schlesinger and Sarah Silverman, music by Adam Schlesinger, and direction by…

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Off-Broadway Review: “Greater Clements” at Lincoln Center Theater’s Mitzi E. Newhouse Theater

After an economic downturn and the subsequent gentrification closes the mining industry in 2017 Clements, Idaho, the residents vote to unincorporate as a town. But mining continues to flourish in Samuel D. Hunter’s “Greater Clements” currently running at Lincoln Center Theater’s Mitzi E. Newhouse Theater: not the mining of “silver, lead, zinc, copper, little bit of gold, some molybdenum,” but…

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Off-Broadway Review: “Sing Street” at New York Theatre Workshop

Quite a few audience members may be familiar with the 2016 film “Sing Street” which the new musical being presented at New York Theatre Workshop is based on and hails by the same name. Playwright Edna Walsh is responsible for transporting the work of John Carney to the stage after being so successful in their first collaboration with the production…

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Off-Broadway Review: “Pumpgirl” at Irish Repertory Theatre’s W. Scott McLucas Studio Theatre

The strength of Abbie Spallen’s “Pumpgirl,” currently running at Irish Rep’s W. Scott McLucas Studio Theatre, lies in the playwright’s authentic characters and their believable conflicts that connect to the timeless vicissitudes of the human condition. The pumpgirl (a lachrymose yet enlightened Labhaoise Magee) at the petrol station in present day County Armagh, Northern Ireland fantasizes night and day about…

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Off-Broadway Review: “Harry Townsend’s Last Stand” at New York City Center Stage II

It is always a pleasure to attend a performance of a play that stars two Broadway veterans and even better when it is a two hander because you are assured ample stage presence for both talented actors. Such is the case in “Harry Townsend’s Last Stand” written by George Eastman which features Len Cariou and Craig Bierko as a stubborn…

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Off-Broadway Review: “Halfway Bitches Go Straight to Heaven” at Atlantic Theatre Company’s Linda Gross Theatre

The epic new work penned by Stephen Adly Guirgis entitled “Halfway Bitches Go Straight to Heaven” refers to the vast array of residents in a transitional shelter for women on the upper Westside of Manhattan. It is a motley group of misfits of every age, race, size, color and sexual status that seem to have a firm grip on the…

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Off-Broadway Review: WP Theater/Second Stage Theater’s “Our Dear Dead Drug Lord” at the McGinn/Cazale Theater

“But women only need themselves to plant seeds in hearts and minds that stab and twist when they begin to root, ensnaring us all with just a thought.” – Pablo F***ing Escobar in “My Dear Dead Drug Lord” Alexis Sheer’s “Our Dear Dead Drug Lord,” in its final days at the McGinn/Cazale Theater, is deeply disturbing and profoundly important. Co-produced…

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Off-Broadway Review: “A Bright Room Called Day” at The Public’s Anspacher Theater

Tony Kushner’s dystopian vision has a firm grounding in the history of the rise of fascism in Germany in the early 1930s and in the methodical and somewhat meteoric rise of Adolf Hitler to Chancellor of the German Reich. This vision is embodied in “A Bright Room Called Day” currently running at The Public’s Anspacher Theater. Mr. Kushner places himself…

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Off-Broadway Review: The New Group’s “Cyrano” at the Daryl Roth Theatre

Edmond Rostrand’s play “Cyrano de Bergerac,” written in verse in 1897 is one of, if not the most tragic love story of all time. It introduced the word ‘panache’ into the English language and Cyrano himself remarks about his own “panache” in the play. This of course refers to his skillful swordplay, exquisite poetry, adroit musicianship and finally the hallmark…

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