Susannah Millonzi

Off-Broadway Review: Bedlam’s “Othello” at the West End Theatre (Through Sunday, May 31, 2026)

“Othello,” for the most part, is considered to be one of Shakespeare’s best works, and there have been many attempts at all levels of theatre development to present the lengthy tragedy. Few succeed, many are just plain mediocre, and some miserably fail to convey the complexity of the characters, that are simply embodied by the intriguing script and poetic language….

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Off-Broadway Review: Bedlam’s “Persuasion” at the Connelly Theatre (Closed Sunday October 31, 2021)

Bedlam’s 2016 “Sense and Sensibility” was fresh, buoyant, engaging, and richly authentic. Kate Hamill’s adaptation of Jane Austen’s text was transformative theatre, groundbreaking theatre, immersive theatre, theatre not to be missed. Eric Tucker’s sparse and inventive staging exposed the pure joy of Jane Austen’s popular text. Jane Austen’s goal as a novelist was never to obfuscate; rather, her purpose was…

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Off-Broadway Review: “The Crucible” at The Connelly Theater

Bedlam is back, creating all the bedlam needed to lift “The Crucible” by Arthur Miller to a new level, making it one of the most exciting and poignant productions of this classic play to hit New York stages. The chaos begins when you enter the theater. You are seated in the waiting area on various wooden chairs that surround an…

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