Broadway

Broadway Review: “My Fair Lady” at Lincoln Center Theater’s Vivian Beaumont Theater

There is something magnificent happening at Lincoln Center Theater, and it has to do with a powerful and intriguing woman, who has currently walked onto the stage of the Vivian Beaumont Theater, revealing that Eliza Doolittle has arrived in the twenty-first century, branding “My Fair Lady” as an old musical destined for a new era. The phenomenal revival directed by…

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Broadway Review: “Children of a Lesser God” at Studio 54

“For why is all around us here/As if some lesser god had made the world/But had not force to shape it as he would?” – Alfred Tennyson The current Broadway revival of the groundbreaking play “Children of a Lesser God,” the first since it opened thirty-eight years ago to win the TONY award for best play, does not seem to…

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Broadway Review: “Mean Girls” Pleases at The August Wilson Theatre

The new Broadway musical “Mean Girls,” based on the 2004 hit movie, is sure to secure a home on the Great White Way for some time to come, as it tickles the fancy of a new generation of young woman who might be liberated by the recent movements of empowerment and anti-bullying. It is certainly a crowd pleaser and whether…

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Broadway Review: “Escape to Margaritaville” is an Absolute Pleasure at the Marquis Theatre

Russia, Mueller, Syria, War, The Wall, Elections, Stormy, Stock Market, Tax Cuts, Scandal, Tariffs, DACA, Immigration and Tweets, are a few current headlines monopolizing the news, infecting and affecting our everyday lives. How can we avoid the negative socio-political environment and get away from it all? The answer may be easier and closer than you think. “Escape to Margaritaville” may…

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Broadway Review: “Lobby Hero” Crackles the Conscience at Second Stage’s Hayes Theatre

“I just don’t want to be one of those pathetic guys in lobbies who are always telling you about their big plans you know they’re never gonna do. I’d rather just be in the lobby and just be in the lobby. To tell you the truth, sometimes I feel like I was worn out the minute I was born.” –…

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Broadway Review: “Farinelli and the King” at the Belasco Theatre

Italian castrato Farinelli (Sam Crane) soothes the troubled mind of Spain’s King Philippe V (Mark Rylance) who suffers from what the Diagnostic and Statistical Manual of Mental Disorders would code as a bipolar disorder. Despite support from the King’s physician Dr. Jose Cervi (Huss Garbiya), the Chief Minister of Spain Don Sebastian De La Cuadra (Edward Peel) advocates for the…

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Broadway Review: “John Lithgow: Stories by Heart” at Roundabout Theatre Company at American Airlines Theatre

Currently in its Broadway debut, John Lithgow’s “Stories By Heart” first took shape in 2008 at Lincoln Center Theater in a special repertory presentation directed by Jack O’Brien. Then, Mr. Lithgow told one story on each of two nights. Since then he has evolved the play in theaters around the country, produced by Staci Levine, on evenings away from his…

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Broadway Review: “The Children” at Manhattan Theatre Club at the Samuel J. Friedman Theatre

“Yes exactly. I would’ve felt like a traitor. Besides, retired people are like nuclear power stations. We like to live by the sea.” – Hazel to Rose The success of “The Children,” currently playing at Manhattan Theatre Club at the Samuel J. Friedman Theatre, is primarily the result of playwright Lucy Kirkwood’s effective and judicious use of tropes, particularly the…

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Broadway Review: “Meteor Shower” at the Booth Theatre

Steve Martin has titled his new play “Meteor Shower.” Currently running at the Belasco Theatre, the comedy is as broad as the night sky above and filled with just as many stars and enlists the audience members to listen to and watch the actors on stage as they await occasional bursts of comedy that handily counterpoint the intermittent falling stars…

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Broadway Review: “M. Butterfly” at the Cort Theatre

“M. Butterfly,” the stunning albeit straightforward play about fantasy, deception, espionage, and betrayal seems to have lost its way at the Cort Theatre. Whether this results from David Henry Hwang’s revisions and updates or from something inherent in the production itself is uncertain. This latest iteration focuses on Song Liling’s (Jin Ha) sexual status rather than on French diplomat Rene…

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