Sarah Meahl

Broadway Review: “Chess” at the Imperial Theatre (Through Sunday, May 3, 2026)

The recent revival of “Chess “on Broadway comes nearly forty years after its first opening on London’s West End in 1986, with a subsequent move to Broadway after major revisions, in 1988. The Broadway production directed by Trevor Nunn closed after two months recording good attendance, but unfavorable financial returns. This recent incarnation, deftly directed by Michael Mayer, confines the…

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Broadway Review: “Bad Cinderella” at the Imperial Theatre (Currently On)

Most, if not all, of my colleagues did not like “Bad Cinderella.” However, the performance I recently attended was sold out and that often undervalued pundit known as “the audience” could not have been more appreciative of what they experienced on the stage of the Imperial Theatre. It is important for us theatre critics to remember that often unheralded phenomenon…

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Off-Broadway Review: The New Group’s “Black No More” at The Pershing Square Signature Center (Closed Sunday, February 27, 2022)

A clue in in the “New York Times” crossword puzzle on Tuesday, February 15th was “Prefix with futurism.” The correct answer: ‘Afrofuturism,’ defined as “a cultural aesthetic that combines science-fiction, history and fantasy to explore the African-American experience and aims to connect those from the black diaspora with their forgotten African ancestry.” In 1931, George S. Schuyler explores the Afrofuturism literary…

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