Ruthie Ann Miles

Off-Broadway Review: “The Seat of Our Pants” at the Public’s Newman Theater (Closed Sunday, December 7, 2025)

Thornton Wilder wrote “The Skin of Our Teeth” in 1942 as the world burned. Ethan Lipton’s musical adaptation “The Seat of Our Pants,” now at the Public Theater, arrives as history repeats itself with eerie precision. The Announcer’s opening number catalogs our contemporary disasters—”We made it through the recession-pandemic-wildfire-oligarchy by the seat of our pants”—and suddenly Wilder’s absurdist chronicle of…

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Broadway Review: “McNeal” at the Vivian Beaumont Theater (Closed on Sunday, November 24, 2024)

“McNeal,” currently on at the Vivan Beaumont Theater, is playwright Ayad Akhtar’s exploration into the unexpected confluence of plagiarism, Artificial Intelligence (AI), and the canon of western literature through the life and writing of renowned playwright Jacob McNeal (a cantankerous but magnetic Robert Downing Jr) who is, at the play’s onset, “badgering” Chat GPT on his iPhone to predict whether…

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Broadway Review: “Sweeney Todd: The Demon Barber of Fleet Street” at the Lunt-Fontane Theatre (Currently On)

Perhaps one of the best reasons to attend the present revival of “Sweeney Todd: The Demon Barber of Fleet Street” is to hear the exceptional score by the late Stephen Sondheim, gloriously presented by a twenty-six-piece orchestra, which resounds through the Lunt-Fontanne Theatre, echoing a menagerie of emotional themes. There is a Brecht-Weil semblance, as a populace from London’s underbelly…

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