Matthew Murphy and Evan Zimmerman

Broadway Review: “Schmigadoon!” at the Nederlander Theatre (Through Sunday, September 6, 2026)

You don’t need an extensive knowledge about Golden Age Broadway musicals to thoroughly enjoy “Schmigadoon” which recently opened on Broadway, but it can enhance your enjoyment. Those who were fans of the television series will flock to see the live performance at the Nederlander Theatre starring Alex Brightman and Sara Chase, and directed by Christopher Gattelli. Book, Music and Lyrics…

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Broadway Mini-Review: “Dog Day Afternoon” at the August Wilson Theatre (Through Sunday, July 12, 2026)

Eleven shows. Eleven days. Welcome to April’s theatrical marathon. What follows are compressed reviews – 300 words each, five shows per roundup – covering everything we’ve seen for Outer Critics Circle nominating and voting purposes. The format is leaner, but the critical standards remain unchanged: what works, what doesn’t, and why it matters. “ATTICA! ATTICA!” Sonny Amato’s battle cry turned…

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Broadway Review: “Boop! The Musical” at the Broadhurst Theatre (Closed Sunday, July 13, 2025)

If you are not a Baby Boomer, chances are you would have never seen any of the black and white Betty Boop cartoons that made the spit curl bombshell a household name. Now that she has made her way to Broadway, courtesy of Bob Martin’s book, David Foster’s music and Susan Birkenhead’s lyrics, everyone, (young and not so young), can…

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Broadway Review: “Maybe Happy Ending” at the Belasco Theatre (Currently On)

The charming new musical, “Maybe Happy Ending,” now playing at the Belasco Theatre, with music composed by Will Aronson and the book and lyrics penned by Mr. Aronson and Hue Park, will certainly make an audience leave the theatre smiling and thinking. Unlike many of the big, bombastic musicals arriving on the Great White Way, this is small and quiet,…

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Broadway Review: “McNeal” at the Vivian Beaumont Theater (Closed on Sunday, November 24, 2024)

“McNeal,” currently on at the Vivan Beaumont Theater, is playwright Ayad Akhtar’s exploration into the unexpected confluence of plagiarism, Artificial Intelligence (AI), and the canon of western literature through the life and writing of renowned playwright Jacob McNeal (a cantankerous but magnetic Robert Downing Jr) who is, at the play’s onset, “badgering” Chat GPT on his iPhone to predict whether…

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