You don’t need an extensive knowledge about Golden Age Broadway musicals to thoroughly enjoy “Schmigadoon” which recently opened on Broadway, but it can enhance your enjoyment. Those who were fans of the television series will flock to see the live performance at the Nederlander Theatre starring Alex Brightman and Sara Chase, and directed by Christopher Gattelli. Book, Music and Lyrics are credited to Cinco Paul, who also was the force behind the successful award-winning television series. The show creates a storyline by smashing together several plots and characters from an array of old Broadway musicals, including parodies of many of the well-known musical numbers. It is simply an innocent, twisted, delightful and fun-filled musical, with an incredible cast gathered to deliver the goods. If you have been waiting for one of those good old-fashioned musicals that has everything a musical had during that Golden Age, but with a contemporary flair, look no further.

The plot starts as a send up of “Brigadoon” (hence the title), when Josh (Alex Brightman) and Melissa (Sara Chase) hit a rough spot in their relationship and decide to attend a couples retreat. They get lost hiking in the woods and come upon a bridge which they decide to cross. That decision lands them not only in the fictional town of “Schmigadoon” but also trapped in a Broadway Musical, where they are greeted by the townsfolk, complete with straw hats, Gingham dresses and full petticoats. They are enthusiastically greeted with the opening number which unequivocally resembles “Oklahoma.” Josh resists the charm and ambiance, while Melissa becomes fully engaged in the fantasy. Josh is pursued by Betsy (Mckenzie Kurtz) who carries a distinct resemblance to the character “Ado Annie.” Melissa is charmed by Danny Bailey (Max Clayton), the local carnie with a bad reputation. Sound familiar? The musical number “Tribulation” pays homage to the rousing “Trouble” from “The Music Man,” along with the librarian Emma Tate (Isabelle McCalla) and her brother/son Carson (Ayaan Diop) with a speech impediment. The fun continues with references to “The Sound of Music”, “My Fair Lady”, Carousel and more. The production may be unrealistic, as are the plots in many musical comedies, but it also has the ability to deliver important moral messages while keeping the sensational shenanigans going.

The cast is absolutely brilliant and knows exactly how to sell this type of parody, with every serious bone in their body. They are surrounded by the pastel cut-outs and backdrops created by scenic designer Scott Pask, that make the fictional town come to life in a magical way. The lighting design by Donald Holder emphasizes the cheerful attitudes of the townspeople, exaggerates imminent danger and brightens the Crayola colored townscape. Costume design by Linda Cho is spot on as she pays tribute to that golden age in a variety of pastels from head to toe. Mr. Paul pens lyrics that are clever and pertinent to every scene with music that might not be too original but certainly recognizable. Then there is the ensemble that is the core of this confection. They are triple threats personified as they produce a glorious sound singing, kick up their heels with precise movements in tap, jazz and ballet, all while developing certain characters that help fabricate the community. They are energetic, powerful, lively and at the top of their game!

Along with the deft direction by Mr. Gattelli, he choreographs classic and athletic musical numbers that would challenge the best dance ensemble. This is most evident in the ambitious movements designed for the musical number “Corn Puddin”, which is a perfect representation of the music, using physical dynamics to convey emotion. The choreography and execution of the movement is a joy to watch. In a season that is very light in the new musicals category this production has a chance to shine, and it certainly does! Take a break, it’s a quick trip to “Schmigadoon”, and once you get there you will have the time of your life!