costume design by Brenda Abbandandolo

Broadway Mini-Review: “Dog Day Afternoon” at the August Wilson Theatre (Through Sunday, July 12, 2026)

April 1, 2026 | Broadway, LGBTQ+, Queer > | "Dog Day Afternoon", Alex J. Gould, Andrea Syglowski, as well as Michael Kostroff, August Wilson Theatre, Barclay Stiff, Brian D. Coats, Carmen Zilles, Christopher Sears, costume design by Brenda Abbandandolo, Danny Johnson, David Roberts, Dom Martello, Ebon Moss-Bachrach, Elizabeth Canavan, Esteban Andres Cruz, hair and wig design by Leah J. Loukas, Jeff Still, Jessica Hecht and Spencer Garrett, John Ortiz, Jon Bernthal, lighting design by Isabella Byrd, makeup design by Katie Gell, Matthew Murphy and Evan Zimmerman, Michael Puzzo, Michael Shayan, New York Theatre Reviews, Paola Lázaro, Rupert Goold, scenic design by David Korins, sound design by Cody Spencer, Stephen Adly Guirgis, The Telsey Office, Theatre Reviews, Theatre Reviews Limited, Wilemina Olivia-Garcia

Eleven shows. Eleven days. Welcome to April’s theatrical marathon. What follows are compressed reviews – 300 words each, five shows per roundup – covering everything we’ve seen for Outer Critics Circle nominating and voting purposes. The format is leaner, but the critical standards remain unchanged: what works, what doesn’t, and why it matters. “ATTICA! ATTICA!” Sonny Amato’s battle cry turned…

Off-Broadway Review: “Cold War Choir Practice” at MCC Theater (Through Sunday, April 5, 2026)

The most devastating moment in Ro Reddick’s “Cold War Choir Practice” is not a Soviet missile strike. It is an American bomb, planted by an American cult, detonating on South Salina Street in Syracuse, New York. As flames consume Davis’s Candy Emporium and Atomic Fireballs rain down like radioactive fallout, 10-year-old Meek (Alana Raquel Bowers) watches her nightmare made literal…

Off-Broadway Review: “Camp Siegfried” at Second Stage’s Tony Kiser Theater (Closed Sunday, December 4, 2022)

November 15, 2022 | camp siegfried, Off-Broadway, on that day, the seven year > | "Camp Siegfried", Bess Wohl, costume design by Brenda Abbandandolo, David Cromer, Emilio Madrid, Johnny Berchtold, Joseph Verlezza, Katie Young, lighting design by Tyler Micoleau, Lily McInerny, Second Stage, set design by Brett J Banakis, sound design by Christopher Darbassie, Theatre Reviews Limited, Tony Kiser Theater

There is no doubt that “Camp Siegfried” a new play penned by Bess Wohl is extremely relevant given the current social, moral, and political landscape that has evolved in the past few years. The similarities might actually border on being frightening. The title and subject matter refer to a summer camp, one of many throughout the country, where German youth…