Sound Design by Caroline Eng

Off-Broadway Review: “Disruption” at the Romulus Linney Courtyard Theatre at the Pershing Square Signature Center (Through Sunday, September 27, 2026)

“Disruption” a new play by Andrew Stein which had a short run in London in 2023 is making its New York premiere at the Pershing Square Signature Center, presented by Jack DePalma. Hersh Ellis directs the stellar veteran cast competently, with some minor distractions and “disruptions”. Scenic design by Zoë Hurwitz is sleek and confined, more retro tech than futuristic,…

Off-Broadway Review: “The Loved Ones” at Irish Repertory Theatre (Through Sunday, August 2, 2026)

“The Loved Ones” seems to open with a rather accessible setup. Gabby, a young Black college student, arrives at Nell’s house with suitcase and backpack in tow. Her arrival is unexpected and unannounced. She announces that she is in her seventh month of pregnancy and that Nell’s son Robin, who has been deceased for six months, is the father. Gabby…

Off-Broadway Review: “The Unknown” at Studio Seaview (Through Sunday, April 12, 2026)

March 13, 2026 | LGBTQ+, Off-Broadway, Queer > | "The Unknown", David Cale, David Roberts, Emilio Madrid, Jason Hindelang, Leigh Silverman, LGBTQ, New York Theatre Reviews, Scenic Design by Studio Bent Lighting Design by Cha See, Sean Hayes, Sound Design by Caroline Eng, Studio Seaview, Theatre Reviews, Theatre Reviews Limited

“Did You Write This Scene or Did I?” THE UNKNOWN at Studio Seaview When critics dismissed David Cale’s “The Unknown” as a solo thriller with a “tired twist,” they revealed more about their own jadedness than about the play’s achievement. At Studio Seaview, in a production directed by Leigh Silverman, Sean Hayes delivers a performance of such psychological precision and…