irish repertory

Off-Broadway Review: “Belfast Blues” – Part of Irish Repertory Theatre’s 2020 Digital Fall Series of “A Performance on Screen”

September 25, 2020 | a man of, irish repertory, Off-Broadway > | "A Performance on Screen", Belfast Blues, Carol Kane, Geraldine Hughes, Irish Repertory Theatre, Jonathan Christman, Jonathan Snipes, Jude Lynch of Mashmob

After years of touring and multiple performances in New York City, Geraldine Hughes’s autobiographical “Belfast Blues” is currently playing at Irish Repertory Theatre – virtually – as the first performance in the Theatre’s online 2020 season. Filmed at Belfast’s Lyric Theatre in 2019 where it was directed by Carol Kane, “Belfast Blues” chronicles Ms. Hughes’s childhood survival of and eventual…

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Off-Broadway Review: “Incantata” at Irish Repertory Theatre’s Francis J. Greenburger Mainstage

March 9, 2020 | back the future, irish repertory, Off-Broadway, sea wall > | "Incantata", Carol Rosegg, Francis J. Greenburger Mainstage, Irish Repertory Theatre, Jack Phelan, Maureen Hughes, Paul Keogan, Paul Muldoon, Rosanna Vize, Sam Yeats, Sarah Jones, Sinéad Diskin, Stanley Townsend, Teho Teardo

“[That’s all that’s left] of that daft urge to make amends/when it’s far too late, too late even to make sense of the clutter/of false trails and reversed horseshoe tracks/and the aniseed we took it in turn to drag/across each other’s scents, when only a fish is dumber and colder.” – “Incantata” Stanley Townsend is the celebrated Irish actor who…

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Off-Broadway Review: “Pumpgirl” at Irish Repertory Theatre’s W. Scott McLucas Studio Theatre

December 27, 2019 | irish repertory, Off-Broadway, pumpgirl > | "Pumpgirl", Abbie Spallen, Carol Rosegg, Clare O'Malley, Fan Zhang, Hamish Allan-Headley, Irish Repertory Theatre, Labhaoise Magee, Michael O’Connor, Molly Seidel, Nicola Murphy, W. Scott McLucas Studio Theatre, Yu-Hsuan Chen

The strength of Abbie Spallen’s “Pumpgirl,” currently running at Irish Rep’s W. Scott McLucas Studio Theatre, lies in the playwright’s authentic characters and their believable conflicts that connect to the timeless vicissitudes of the human condition. The pumpgirl (a lachrymose yet enlightened Labhaoise Magee) at the petrol station in present day County Armagh, Northern Ireland fantasizes night and day about…

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Off-Broadway Review: “Kingfishers Catch Fire” at Irish Repertory Theatre’s W. Scott McLucas Studio Theatre

Four years after the Ardeatine Caves Nazi Massacre, Monsignor Hugh O’Flaherty (a conflicted and contrite Sean Gormley) visits Colonel Herbert Kappler (a robust and tenacious Haskell King) in his cell in an old-fashioned prison in Gaeta, Southern Italy. Kappler, an SS Colonel and head of Hitler’s Gestapo in Rome, was responsible for the massacre of 355 Italians (a random number…

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Off-Broadway Review: “Dublin Carol” at Irish Repertory Theatre

October 1, 2019 | a christmas carol, irish repertory, Off-Broadway, review dublin carol > | "Dublin Carol", Carol Rosegg, Charlie Corcoran, Ciarán O’Reilly, Cillian Hegarty, Conor McPherson, Irish Repertory Theatre, Jeff Davolt, Jeffrey Bean, Leon Dobkowski, M. Florian Staab, Michael Gottlieb, Ryan Rumery, Sarah Street, Sven Henry Nelson

Undertaker John Plunkett (Jeffrey Bean) and his intern Mark (Cillian Hegarty) enter the office of a funeral home on the Northside of Dublin where John works. They have just finished a service and John compliments Mark on his work at the graveside. With that non-descript arrival, Conor McPherson’s “Dublin Carol,” currently playing at Irish Repertory Company, begins its narrative. Over…

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Off-Broadway Review: “Little Gem” at Irish Repertory Theatre

Over the period of a year, three generations of Irish women share their stories ad seriatim while in a medical office waiting room. Amber (a spitfire Lauren O’Leary) rehearses her life from taking her beau Paul to a wedding, to his abandoning her after discovering she is pregnant with his child. Amber’s “ma” Lorraine (a pensive and seemingly broken Brenda…

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Off-Broadway Review: Final Performances of “The Plough and the Stars” at Irish Repertory Theatre

Irish Rep’s “The Plough and the Stars” (1926) closes after the Sunday June 22nd performance. Part of the Sean O’Casey Cycle (the Dublin Trilogy) at Irish Repertory Theatre, the groundbreaking play ran in repertory with O’Casey’s “The Shadow of a Gunman” (1923) and “Juno and the Paycock” (1924) and was the company’s debut production in 1988. Artistic Director Charlotte Moore…

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Off-Broadway Review: “Mies Julie” at Classic Stage Company (Through Sunday March 10, 2019)

August Strindberg’s naturalism and themes transfer brilliantly from his “Miss Julie” to Yaël Farber’s adaptation of Strindberg’s classic. Farber’s “Mies Julie” is currently running at Classic Stage Company in repertory with the Conor McPherson’s adaptation of Strindberg’s “The Dance of Death.” Like the 1985 stage version of “Miss Julie” at Cape Town’s Baxter Theatre, Mr. Farber’s 2012 adaptation takes place…

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Off-Broadway Review: “On Beckett” at Irish Repertory Theatre’s Francis J. Greenburger Mainstage

October 3, 2018 | bill irwin, irish repertory, Off-Broadway, on beckett > | "On Beckett", Bill Irwin, Carol Rosegg, Charlie Corcoran, Finn O’Sullivan, Francis J. Greenburger Mainstage, Irish Repertory Theatre, M. Florian Staab, Martha Hally, Michael Gottlieb

“On Beckett,” currently playing at Irish Repertory Theatre’s Francis J. Greenburger Mainstage, is part performance, part graduate school lecture (with perambulation), part predilections on whether Samuel Beckett’s writing is “natural clown territory,” and part perusal of the importance of culture and language – all presented with perfection and seemingly unbridled passion by Bill Irwin. During Mr. Irwin’s introduction, it becomes…

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Off-Broadway Review: “On a Clear Day You Can See Forever” at Irish Repertory Theatre on the Francis J. Greenburger Mainstage

Both upper-east-side resident Daisy Gamble (Melissa Errico) and psychiatrist Dr. Mark Bruckner (Stephen Bogardus) need clarity in their lives. Daisy lives in the Barbizon Hotel for Women and is applying for a job at Latimer and Latimer and has “until the afternoon” to quit smoking to meet the company’s policies. She is down to her “last month’s rent. Daisy does…

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