LGBTQ

Off-Broadway Review: “I Am, I Will, I Do” at the New York Musical Festival at the Peter Jay Sharp Theater

“I Am, I Will, I Do” is a new musical being presented as part of NYMF by Dan Manjovi Music. It is classified as a Beta musical which means it is further along than a staged reading but not yet ready for a full production. In other words, it is a platform for the creative team to work out the…

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Off-Broadway Review: “The Body Politic” at the New York Musical Festival at the Peter Jay Sharp Theater

“The Body Politic,” currently running at the New York Musical Festival at the Peter Jay Sharp Theater chronicles the journey of Iphis (Samy El-Noury) a transgender young man from Kabul who emigrates to Chapel Hill, North Carolina at the height of the Afghan War. This new life is offered by Chris, an American Aid Worker, and Iphis leaves his mother…

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Off-Broadway Review: “Miss Blanche Tells It All” at the New York Musical Festival at the Peter Jay Sharp Theater

“These parting words, she left behind/These parting words she left behind/And I put them in your hands now/These parting words she left behind.” – The Nun Lee (Brian Charles Rooney) is the twenty-something female impersonator who graces the small stage at the Golden Lantern, an old bar – a joint – in the French Quarter of New Orleans. The small…

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Off-Broadway Review: “Errol and Fidel” at the New York Musical Festival at the Peter Jay Sharp Theater

“Errol and Fidel,” part of the New York Musical Festival 2017, retells the story of Errol Flynn’s (played with just the right Hollywood bravado by Jonathan Stewart) visit to Havana in 1958 during the shooting of his self-produced B film “Cuban Rebel Girls” where he met Fidel Castro (played with rich revolutionary ruggedness and charm by George Psomas). Flynn is…

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Off-Broadway Review: “The Crusade of Connor Stephens” at the Jerry Orbach Theater

After a successful run at the 2016 Midtown International Theater Festival, “The Crusade of Connor Stephens” moves to the Off-Broadway stage at the Jerry Orbach Theater. There have been changes in this revival – not all of them necessary – but the heart of the play remains intact. Big Jim’s (James Kiberd) Baptist Mega-Church is expanding. More space is need…

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Broadway Review: “Indecent” Shatters the Comfort of Safety at the Cort Theatre

Created by Paula Vogel and Rebecca Taichman, “Indecent” could not have opened on Broadway at the Cort Theatre at a more auspicious time. During an increasingly frenzied discussion about what is and what is not decent in contemporary American society and culture, this remarkable and stunning play – based on true events surrounding the 1923 Broadway debut of Sholem Asch’s…

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Off-Broadway Review: “Daniel’s Husband” at Primary Stages at Cherry Lane Theatre

“The thing was, I was really good at it. And I loved it. I just loved being able to . . . I don’t know . . . make someone more comfortable. Make some of their pain go away. And it wasn’t just because it was someone I loved. It was . . . the fact that I was in…

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Broadway Review: “The Glass Menagerie” at the Belasco Theatre

“The Glass Menagerie,” Tennessee Williams’ 1944 memory play, seems to have just left our stage … or is that my own memory playing games? In fact, Cherry Jones took on the iconic role of Amanda Wingfield – and was nominated for the Tony – in 2014. Three years prior, Judith Ivey delivered a lovely and highly praised performance in a…

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Off-Broadway Review: “Missed Connections: A Craigslist Musical” Connects at the New Ohio Theatre

September 16, 2016 | LGBT, Off-Broadway > | Tags: ,

“Missed Connections: A Craigslist Musical” is being presented at the New Ohio Theatre after successful runs throughout Canada. It is a musical cantata with lyrics taken or derived from actual ads placed on Craigslist. That indeed ensures a variety of interesting and bizarre subject matter that is approached throughout the ninety-minute production. It is sung through as a rapid succession…

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Off-Off-Broadway Review: “The Illusory Adventures of a Dreamer” at FringeNYC 2016 at Teatro SEA at the Clemente

It is a difficult and a brave undertaking to choose to stage Henrik’s Ibsen’s “Peer Gynt.” The Classic Stage Company recently accepted the challenge with a sparse two-hour (with no intermission) version in June of 2016. It becomes more difficult when one attempts to overlay the complex script with a new narrative – the quest of an LGBTQ Peer Gynt…

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