Flowing in the same vein as the triumphant off-Broadway show “Dead Outlaw,” which made a move to Broadway last season, is the wonderful “Beau the Musical,” now playing at Theatre 154. Produced by Out of the Box Theatrics, the musical follows somewhat the same structure where an onstage band provides the musical force but also serve double duty by taking on character driven roles that exercise their storytelling ability. This intricately woven composition seamlessly occurs under the astute direction of Josh Rhodes, who is also responsible for the choreography. The cast is remarkable as they fluidly morph from instrumentalists to vocalists and finally into very competent actors, fully fleshing out complex characters. The concept, book and lyrics penned by Douglas Lyons is clear, concise, complex and appealing. Lyons tackles the pitfalls of self-awareness and coming of age and has given birth to characters who are real, recognizable, vulnerable and lovable, regardless of their flaws.

The plot revolves around Ace Baker (a commanding Matt Rodin), who is coming to terms with his gender identity at the age of twelve. It then follows his development and relationships, until he reaches the age of twenty- seven in 2013, when he is performing a concert at The Distillery, a club in Nashville. Ace’s single mother Raven (a strong Amelia Cormack) has been estranged from her father Beau (a stoic and intense Chris Blisset) since she was thirteen. Ace is bullied by Ferris (a complex Jeremy Sevelovitz at this performance), who he keeps at bay with a cigarette he steals from his mother. Their relationship quickly turns into a coming-of-age romance and almost just as quickly ends when they are in high school. Struggling with the breakup, his identity and trying to deal with his mother’s new boyfriend Larry (an animated Matt Wolpe), Ace decides to run away to Memphis to visit Beau, the grandfather he has never met. Beau harbors some internal secrets but promises Ace that he can ask him any questions, but that doesn’t mean he will get answers. Ace receives the gift of music along with a special guitar from Beau, which certainly helps him navigate his adolescent journey. No need to go further to avoid spoiler alerts.

The music by Ethan D. Pakchar and Mr. Lyons can best be described as a country, folk rock genre and certainly lends itself to the Nashville-Memphis settings of the play. Although their music becomes the production’s driving force, it never upstages the performers but rather enhances and spotlights their performances. The first song of the evening “Pop Pop Beau.” Is a summary of what is to come and lets you settle into a comfortable space. The second number “Comin’ Home,” is a beautiful and thoughtful ballad that pulls you in and lets you know you are in for a wonderful ride. The honest and sincere lyrics of “It Couldn’t Be” is an anthem to any young relationship that cannot mature. The tender and loving duet “By Your Side” might bring about a tear, and if it doesn’t be prepared for the moving “Thursday in July” which will certainly do the job.

Rounding out the cast and band are Andrea Goss, Miyuki Miyagi and Derek Stoltenberg, who are all remarkable and add spirit to the already soulful ensemble. Scenic designer Daniel Allen covers every detail in creating the Nashville bar and club, the Distillery, and it is complimented by the moody and isolated lighting design by Adam Honore. Costume designer Devario D. Simmons is spot on reflecting the period and place, while also helping to define each character. It might be a bit early to say, but this could easily become one of the best musicals of the season. It is simple, intelligent, heartfelt, entertaining and a joy that will keep you smiling and thinking long after you leave the theatre. Don’t hesitate and just buy a ticket to this summer theater surprise now!