Off-Broadway Review: “Macbeth” at the Lynn F. Angelson Theater at Classic Stage Company

There has always been a curiosity and appreciation for bold attempts at new interpretations or the reimagining of the classics and it seems there have been endless attempts on putting a new spin on more than one of these masterworks. There appears to be one more paradigm of this artistic endeavor in the Classic Stage Company’s new production of “Macbeth”…

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Broadway Review: “The Rose Tattoo” at the American Airlines Theatre on Broadway

Following in the footsteps of Maureen Stapleton in the original and first revival and Mercedes Ruehl featured in the second revival on Broadway comes Marisa Tomei as Serafina Delle Rose in the current production of “The Rose Tattoo” at Roundabout American Airlines Theatre. This rare tragic comedy by Tennessee Williams about a heartbroken, widowed, Italian American who shuts herself off…

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Off-Broadway Review: “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf” at The Public Theater’s Martinson Hall

Since its premiere at The Public in 1976 and its subsequent transfer to Broadway later that year, much has happened to continue to impact the lives of the women of color celebrated by Ntozake Shange in her choreopoem “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf” currently running at The Public Theater’s Martinson Hall. In this incarnation,…

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Off-Broadway Review: “Soft Power” at the Public’s Newman Theater

“Soft Power” – the culture-bending, plot-twisting musical within a play currently running at The Public’s Newman Theater – challenges the notion that the only effective parameters of power are money, race, and sex. These constructs of “hard” power are the hallmarks of greed, systemic racism, and misogyny and, from Xue Xing’s (a sensitive and alluring Conrad Ricamora) point of view,…

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Broadway’s Circle in the Square Preview: THE CIRCLE SERIES Announces Conclusion of The Fall Season

Over the past several weeks, The Circle Series has brought the theatre community together on Monday evenings to explore developing works and celebrate the classics in a new way. Concluding their first slate of staged readings, producers Circle in the Square Theatre School (Paul Libin, President; Susan Frankel, COO), Pigasus Institute, and Rachel Shuey will present three readings of developing…

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Broadway Review: “The Great Society” at the Vivian Beaumont Theater

“The Great Society,” the second installment of playwright Robert Schenkkan’s biographical account of the years Lyndon B. Johnson spent as president in the White House, is less a drama and more a chronological list of the destructive events the plagued his second term in office. To the playwright’s credit, it is extensively detailed and factual; however, to his discredit, it…

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Off-Broadway Review: “Heroes of the Fourth Turning” at Playwrights Horizons Mainstage Theater

Three Gen Y Conservative Christians gather at Justin’s (a thoughtful and broken Jeb Kraeger) backyard in Lander, Wyoming to celebrate Generation X Gina’s (a confident and willful Michelle Pawk) inauguration as president of Transfiguration College of Wyoming. These “heroes” are preparing for a battle of Armageddon-like proportions. They do not simply disagree with those infidels on the left: they despise…

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Off-Broadway Review: “Scotland, PA” at Roundabout Theatre Company’s Laura Pels Theatre in the Harold and Miriam Steinberg Center for Theatre

Bloody, gory, horror films certainly have been around for quite a while and have been successful in creating a cult audience that supports the genre. Transforming one of these for the stage would certainly be an audacious task. To go one step further, choose the horrific tale of Macbeth penned by William Shakespeare and take some extreme liberties to create…

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Broadway Review: “Linda Vista” at Second Stage Theater’s Helen Hayes Theater

The sharp and witty dialogue of the latest dramedy penned by playwright Tracy Letts is foreshadowed by the title “Linda Vista” which means “pretty view” in Spanish. The midlife crisis of a bitter fifty-year-old, divorced, white male, who seems to have an insatiable libido and absolutely no respect for women – preferring to exhibit his unbridled male testosterone – is…

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