Roxana Khan

Off-Broadway Review: “Public Charge” at the Public’s Newman Theater (Through Sunday, April 12, 2026)

March 28, 2026 | Off-Broadway > | "Public Charge", Al Rodrigo, Armando Riesco, costume design by Haydee Zelideth, Dan Domingues, David Roberts, Deirdre Madigan, dialect coaching by Rosie Berrido, Doug Hughes, dramaturgy by Jack Phillips Moore, hair and wigs design by Earon Chew Nealey, Joan Marcus, John J. Concado, Julissa Reynoso, lighting design by Ben Stanton, Maggie Bofill, Marinda Anderson, Molly Foy, Nairoby Otero, Nate Betancourt, New York Theatre Reviews, original music by Carlos Henriquez, Paco Lozano, prop management by Samantha Llanes Gordon, Roxana Khan, scenic design by Arnulfo Maldonado, sound design and original music by David Van Tieghem, The Newman Theater, The Public Theater, Theatre Reviews, Theatre Reviews Limited, video design by Lucy MacKinnon, Yesenia Iglesias, Zabryna Guevara

At the center of Julissa Reynoso and Michael J. Chepiga’s “Public Charge,” now at the Public Theater, are two marginalized women who understood something the State Department establishment did not: that fifty years of failed policy toward Cuba needed to change. Julissa Reynoso (Zabryna Guevara), a Dominican immigrant and Obama campaign veteran, and Cheryl Mills (Marinda Anderson), Hillary Clinton’s Chief…

Off-Broadway Review: “The Ally” at the Public’s Anspacher Theater (Closed Sunday, March 24, 2024)

Asaf and the members of the audience are the unwitting protagonists of Itamar Moses’s “The Ally” which is currently running at the Public’s Anspacher Theater. Asaf Sternheim (a well-meaning but uncommitted Josh Radnor) is Jewish, a writer, and an adjunct professor of writing at a prestigious American University in a struggling American city where his Korean American wife Gwen Kim…

Off-Broadway Review: “Pride and Prejudice” at Primary Stages at Cherry Lane Theatre

Kate Hamill has done it again. The ‘it’ in question, is her remarkable ability to adapt Jane Austen’s iconic novels for the stage. Her adaptation of “Sense and Sensibility” had a successful Off-Broadway run of over two-hundred and sixty-five performances. Her current adaptation of “Pride and Prejudice” which is playing at Primary Stages at Cherry Lane Theatre should enjoy the…