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Arts journalist and editor Mark Blankenship is pleased to announce the debut of The Flashpaper: Theatre’s Thoughts on Right Now, a new journal dedicated to the urgent ideas of contemporary theater artists. Each issue of this print-only publication features original content created in response to a timely prompt from a diverse group of artists working in a variety of forms….
Edmond Rostrand’s play “Cyrano de Bergerac,” written in verse in 1897 is one of, if not the most tragic love story of all time. It introduced the word ‘panache’ into the English language and Cyrano himself remarks about his own “panache” in the play. This of course refers to his skillful swordplay, exquisite poetry, adroit musicianship and finally the hallmark…
The nature-nurture psychological debate and the predestined-free will theological debate collide in Bess Wohl’s “Make Believe” currently running at Second Stage’s Tony Kiser Theater, resulting in the brave and somewhat disturbing exploration of the blurred boundaries between what is perceived to be real life and what is perceived to be make-believe. The playwright raises several enduring questions, including whether there…
In years past, the common complaints one heard about “the state of theatre” were primarily about the steep prices that had seemed to rise ever so quickly but then were passed off as just a sign of the times. Other quips that could be heard were concerns about subject matter, nudity, or foul language. Then there was the appearance of…
One father longing to be wealthy enough to adequately care for his family – and letting the Creator know he feels overlooked – and three “adult” daughters dodging the craft of the local matchmaker are the grist for an epic challenge to the traditions held dear by the members of Tevye’s Shtetlekh and its “on-the-fence” Der Rov (a confident yet…
Emily Penrose (a guarded and steely Cherry Jones), Editor-in Chief of a high-end publication, hopes to score big on the publication of a “lyrical essay” written by longtime associate John D’Agata (a languid and tenderly resilient Bobby Cannavale). She has shut down the presses and pulled the story about “Congressional Spouses” to publish the essay about the suicide of a…
The latest offering at York Theater Company’s Main Stage Series is the new musical “Midnight at the Never Get.” The production history started with a successful short run at New York’s historical “Don’t Tell Mama” cabaret, and then a run at NYMF in 2016. Subsequently it had a six-week 2017 run at Provincetown Inn, Massachusetts and returned to Provincetown for…
In the wake of a recent leadership change, LAByrinth Theater Company, now under the direction of Company Founder and Former Artistic Director John Ortiz, makes exciting plans for LAB’s upcoming 25th Anniversary Season in 2017-2018. In celebration of 25 years of creating vital new works of American Theater, LAByrinth kicks off the season with LAB25: FULL CIRCLE, a collection of…
When the audience first meets Jonathan (Mark Coffin) and Linda (Geraldine Leer) in their New York residence, they are a couple together for thirty-five years whose marriage seems to be suffering from osteoarthritis: the “stuff” between them that would allow them to smoothly glide over one another has eroded over time through the wear and tear of the normal “ups…
“We come here today to question, to debate, to learn, to grow, and, yes, to leave our mark in the record so that future generations may share the privilege of learning who they are by remembering who we are. What would you have us do instead? How else would you have them remember us?” – Leonard Fishman, General Editor, “Beertown…