into the woods

into the woods

Broadway Review: “Gypsy” at the Majestic Theatre (Currently On)

The widely anticipated revival of “Gypsy “on Broadway has finally arrived, along with the reopening of the Majestic Theatre after a healthy renovation, requiring the theatre to be closed for nearly eighteen months. Most of the excitement was generated by the return of the renowned Broadway star Audra McDonald to the stage who would take on the iconic role of…

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Broadway Review: “The Notebook” at the Gerald Schoenfield Theatre (Currently On)

If you did not read the Nicholas Sparks novel “The Notebook,” you most likely saw the movie of the same name based on the novel and if you saw the movie chances are you have plans to see the new Broadway musical, with the same name and somewhat the same story, with just a few changes. Bekah Brunstetter has penned…

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Off-Broadway Review: “Jonah” at Roundabout Theatre Company (Closed Sunday, March 10, 2024)

The time “Jonah,” currently running at Roundabout Theatre Company’s Laura Pels Theatre, takes place is described in the program as “The past and the present. But everything is slippery.” ‘Slippery’ is the operative word here. Everything is slippery in “Jonah” in addition to the time: the series of bedrooms in Wilson Chin’s cerebral and surreal design; the changeability and moodiness…

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Off-Broadway Review: “I Can Get It for You Wholesale” at Classic Stage Company (Closed Sunday, December 17, 2023)

The latest show offered at Classic Stage Company is the revival of the 1962 musical “I Can Get It For You Wholesale” with a book by Jerome Weidman and music and lyrics by Harold Rome. This is only the third revival since it’s run on Broadway featuring Barbra Streisand, with one in 1991 by American Jewish Theatre and one in…

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Broadway Review: “Grey House” at the Lyceum Theatre (Through Sunday, July 30, 2023)

Years (decades, centuries, eons) of interminable suffering hang over the gables of Grey House. And while there is no forgiveness or redemption within, the walls of the house encase unrelenting guilt where it remains hidden tapping out its own somber language of confession. Things do more than go bump in the night in “Grey House” Levi Holloway’s tale of horror…

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Broadway Review: “Into the Woods” at the St. James Theatre (Currently On)

The most recent revival of the 1987 Broadway musical “Into the Woods” featuring music and lyrics from the late, great Stephen Sondheim is now making its triumphant return, playing at the St. James Theatre. It is without a doubt a fitting tribute to this musical theatre giant. Director Lear deBessonet has assembled an unrivaled cast of astute actors, who are…

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Off-Broadway Preview: “Little Shop of Horrors” Opens at The Westside Theatre

The producers of the Off-Broadway return of Howard Ashman and Alan Menken’s landmark musical “Little Shop of Horrors” have announced that Tony Award nominee Gideon Glick (“To Kill A Mockingbird,” “Significant Other”) will join the cast of the production for two weeks only, from Tuesday, November 5 – Sunday, November 17, while original star Jonathan Groff is on a scheduled…

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Off-Broadway Review: “Sundown, Yellow Moon” at the McGinn/Cazale (WP Theater)

At sundown, when objects lose their precise “black-and-white” identity, the yellow moon begins to assume the role of providing “light.” Moonlight is far more forgiving than sunlight – it is the light of all things Eastern, leaving the bright Western light to its own devices of conditional judgement. It is the salvific murkiness of the yellow moon that draws fraternal…

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Off-Broadway Review: “Kunstler” Lumbers Along at 59E59 Theaters

“Dying is no big deal; the least of us can manage that. The trick is how you live, and Mr. Bill Kunstler lived. He lived with a searing pace, a furious energy, and overwhelming love of right and dislike of wrong.” – Jimmy Breslin in “The New York Times” Attorney William Kunstler was an important figure in American jurisprudence. “Kunstler,”…

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Off-Off-Broadway Review: “The Curse of the Babywoman” at FringeNYC 2016 at Teatro SEA at the Clemente

Falling somewhere between a cheap Penny Dreadful and a horrific Sci-Fi B-movie, Michael Paul Wirsch’s “The Curse of the Babywoman” (hereafter “The Curse”) has found its way onto the stage of the Lower East Side’s Teatro SEA as part of FringeNYC 2016. The residents of Shrubtown live in fear of the hoard of shapeless, formless babies who haunt the woods…

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