Ars Nova

Off-Broadway Review: Ars Nova’s “Dr. Ride’s American Beach House” at Greenwich House

Commissioned by Ars Nova in 2016 and currently playing at New York City’s Greenwich House, “Dr. Ride’s American Beach House” claims to be one thing but delivers something markedly different from its hype. Harriet (Kristen Sieh), Matilda (Erin Markey), Norma (Susan Blomaert), and Meg (Marga Gomez) are “a group of women with passionate opinions and no opportunities [sitting] on a…

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Off-Broadway Review: “Sundown, Yellow Moon” at the McGinn/Cazale (WP Theater)

At sundown, when objects lose their precise “black-and-white” identity, the yellow moon begins to assume the role of providing “light.” Moonlight is far more forgiving than sunlight – it is the light of all things Eastern, leaving the bright Western light to its own devices of conditional judgement. It is the salvific murkiness of the yellow moon that draws fraternal…

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Off-Broadway Review: “Small Mouth Sounds” at Ars Nova at the Romulus Linney Courtyard Theatre

When a play is about something more than boy meets girl or boy meets boy, (or boy becomes girl) it can be an inspiring, even cathartic experience. This week, for example, I saw a show that is theoretically about suffering, but it is funny and touching and relatable. Oh, did I mention that it is also about not talking? I…

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“Ham: A Musical Memoir” at Theater 511 at Ars Nova (Closed Saturday January 24, 2015)

January 15, 2015 | Off-Broadway > | Tags: ,

Despite every possible obstacle – including a dispassionate and disinterested father and growing up in an oppressive and homophobic environment – Sam Harris has maintained an astonishing professional career in music, television, stage, and screen. His recent book “Ham: Slices of a Life” chronicles that story of success and is the subject of Mr. Harris’s current “Ham: A Musical Memoir”…

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