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Pennsylvania Shakespeare Festival 2021 Main Stage Review: “How I Learned What I Learned” (Through Sunday July 11, 2021)

Pennsylvania Shakespeare Festival 2021 Main Stage Review: “How I Learned What I Learned” (Through Sunday July 11, 2021 By August Wilson Co-Conceived by Todd Kreidler Directed by Christopher V. Edwards Reviewed by David Roberts, Theatre Reviews Limited Looking carefully at the many windows looming upstage on Baron E. Pugh’s set for the Pennsylvania Shakespeare Festival 2021 Main Stage production of “How I…

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Theatre Preview: Jersey City’s Shakespeare@ Presents “Julius Caesar” the Third Installment of Their All-Free Radio Play Season

Actors from Broadway and London’s West End team up for the Shakespeare@ Home, all-free radio play Julius Caesar, which launches Monday February 22nd at 7pm EST. The Tony Nominated actor Patrick Page (Hadestown) stars in the title role with Jordan Barbour (Broadway’s The Inheritance) as Brutus Sky Lakota Lynch (Dear Evan Hansen) as Lucius and Keith Hamilton Cobb (American Moor)…

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Holiday Streaming Preview: “The Nutcracker” at Wethersfield Streams Free from December 23 through December 26

The Nutcracker at Wethersfield, a Covid-19 compliant “Nutcracker,” choreographed and directed by Troy Schumacher, runs this holiday season through December 26 at the glorious Wethersfield Estate in Amenia, NY (a two-hour drive north of Times Square), this watershed live production provides a guided immersive experience in a historical site. The Nutcracker at Wethersfield will then be streamed on demand, free…

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Off-Broadway Review: “Days of Rage” at Second Stage Theater’s Tony Kiser Theatre

Rooms full of missed opportunities sprawl across Second Stage’s Tony Kiser Theatre where Steven Levenson’s new play “Days of Rage” is running through November 2018. Mr. Levenson, the award-winning book-writer of “Dear Evan Hansen, tackles the important issues of nationalism, xenophobia, and racism against the backdrop of a radical collective of three friends protesting the “atrocities” of the Vietnam War….

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Off-Broadway Review: “Days to Come” at Mint Theater Company at Theatre Row’s Beckett Theatre

The moral turpitude of those who “consume” is in the spotlight in Lillian Hellman’s 1936 “Days to Come” currently running at Mint Theater Company at Theatre Row’s Beckett Theatre. On the surface, Hellman’s second play focuses on the dispute between labor and management in the small town of Callom, Ohio where Andrew Rodman’s (willful but wimpish Larry Bull) family brush…

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Broadway Review: “The Play That Goes Wrong” at the Lyceum Theatre Extends Through January 6, 2019

During the April 2, 2000 matinee performance of Julie Taymor’s “Green Bird” at the Cort Theatre, a flying wall accidently struck actor Reg. E. Cathey during a set change in the dark. This unexpected interruption resulted in the cancellation of the performance and sent Cathey to the hospital for x-rays. Fortunately, the actor was not seriously hurt and was reported…

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Off-Broadway Review: “Hundred Days” Transforms Love’s Limits at New York Theatre Workshop

With their recent collaboration with Sarah Gancher and Anne Kauffman, Abigail and Shaun Bengson (“The Bengsons”) have redefined the meaning of the theatrical convention of the musical. Without elaborate sets, costumes, large ensembles of singers and dancers, and multi-million-dollar budgets, The Bengsons have successfully mounted a stunning musical with a believable story and a brilliantly executed score. “Hundred Days,” currently…

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“Lennon Through A Glass Onion” at the Union Square Theatre (Closed Sunday February 22, 2015)

October 15, 2015 | days of, Off-Broadway, the piano > | Tags:

There have been a plethora of Beatles tributes on and off Broadway in the recent past but none honors the Beatles songbook better than “Lennon Through A Glass Onion” currently running at the Union Square Theatre. Conceived and Performed by John R. Waters, this complex and engaging musical focuses on the music of John Lennon through a “peeling back of…

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“Sense of an Ending” at 59E59 Theaters (Closed Sunday September 6, 2015)

“Charles, we must speak directly. I know that your career is not what it was because of the scandal. You were the young star and now all that is changing thanks to this problem. I will not let these nuns go free.” (Paul) Theatre-goers in New York City have the opportunity to see Ken Urban’s haunting “Sense of an Ending”…

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“Hell Is For Real” at FringeNYC 2015 at Theatre 80 (Closed Saturday August 29, 2015)

It is Fringe season, and the lower East side of Manhattan is buzzing with the NY International Fringe Festival now celebrating a 19th year with a new theatrical kaleidoscope. As in years past, audiences, reviewers and staff search for the golden ticket, the reward of finding a few shows that might have a glimmer of hope for a future, or…

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