Rooms full of missed opportunities sprawl across Second Stage’s Tony Kiser Theatre where Steven Levenson’s new play “Days of Rage” is running through November 2018. Mr. Levenson, the award-winning book-writer of “Dear Evan Hansen, tackles the important issues of nationalism, xenophobia, and racism against the backdrop of a radical collective of three friends protesting the “atrocities” of the Vietnam War….
After greeting the audience at New York Theatre Workshop, playwright Heidi Schreck introduces her play “What the Constitution Means to Me” as follows: “When I was 15 years old, I travelled the country giving speeches about the Constitution at American Legion halls for prize money. This was a scheme invented by my mom, who was a debate coach, to help…
Emily Penrose (a guarded and steely Cherry Jones), Editor-in Chief of a high-end publication, hopes to score big on the publication of a “lyrical essay” written by longtime associate John D’Agata (a languid and tenderly resilient Bobby Cannavale). She has shut down the presses and pulled the story about “Congressional Spouses” to publish the essay about the suicide of a…
“We are stardust, we are golden/We are billion-year-old carbon/And we got to get ourselves back to the garden.” (“Woodstock” by Joni Mitchell) Jomama is the performer and alter ego of Daniel Alexander Jones who created the production “Black Light” now playing at Greenwich House Theater after a successful run at Joe’s Pub. She is a soul sonic superstar and when…
It is clear from the start of Donja R. Love’s “Fireflies” that Olivia Grace (DeWanda Wise) is among the disconsolate: Olivia is languishing: Olivia’s wounded heart needs healing. There is a fire in Olivia’s soul that counterpoints the fire in the 1963 Fall sky above the home in the Jim Crow South she shares with her preacher-activist husband Charles Emmanuel…
The latest offering at York Theater Company’s Main Stage Series is the new musical “Midnight at the Never Get.” The production history started with a successful short run at New York’s historical “Don’t Tell Mama” cabaret, and then a run at NYMF in 2016. Subsequently it had a six-week 2017 run at Provincetown Inn, Massachusetts and returned to Provincetown for…
Kudos to the team of women (all women!) that wrote, directed, performed in, and filled all positions in the creative team for “Hitler’s Tasters” currently running at IRT Theater. The play examines the conflicts of the fifteen German young women who were conscripted to be Hitler’s tasters. They were initially transported daily to and from a school to fulfill their…
“We are what we pretend to be, so we must be careful about what we pretend to be.” – Howard Campbell Howard Campbell’s (an even tempered and soft-spoken Gabriel Grilli) non-linear journey from Nazi Germany’s radio propaganda machine in World War II to his self-execution in 1961 is the subject of The Custom Made Theatre Company’s “Kurt Vonnegut’s Mother Night,”…
The familiar phrase “Everything old is new again” is a perfect way to describe the current production at the delightful Two River Theatre in Red Bank, New Jersey. It is an old-fashioned musical comedy featuring music by the legendary Cy Coleman with a book written by the brilliant playwrights, Wendy Wasserstein and Christopher Durang, entitled “Pamela’s First Musical.” It is…
Given the long-term relationship that existed between A.R. Gurney and Primary Stages, it is befitting that the prolific playwright requested his agent to send his newest one act play “Final Follies” to the theater company for production in 2017. It turned out to be ominously and aptly titled since he passed soon after, leaving this to be the last play…