crucible
Bedlam is back, creating all the bedlam needed to lift “The Crucible” by Arthur Miller to a new level, making it one of the most exciting and poignant productions of this classic play to hit New York stages. The chaos begins when you enter the theater. You are seated in the waiting area on various wooden chairs that surround an…
After greeting the audience at New York Theatre Workshop, playwright Heidi Schreck introduces her play “What the Constitution Means to Me” as follows: “When I was 15 years old, I travelled the country giving speeches about the Constitution at American Legion halls for prize money. This was a scheme invented by my mom, who was a debate coach, to help…
The cast of four in Arthur Miller’s “The Price” is filled with glitter: Mark Ruffalo, who has shone primarily on film; Tony Shaloub, who has won and been nominated for awards in multiple mediums; Jessica Hecht, a vibrant presence in countless productions; and Danny DeVito, for whom, surprisingly, this is a Broadway debut. Even more surprisingly, it is DeVito who…
There are certain productions that you know – even before the curtain comes up – whether they will grab you or not. The latest revival of Arthur Miller’s “The Crucible” is probably one of those. First, let me say that the curtain goes up – and down – an odd number of times throughout the almost three-hour show, which just…
“Turning and turning in the widening gyre/The falcon cannot hear the falconer;/Things fall apart; the centre cannot hold;/Mere anarchy is loosed upon the world,/The blood-dimmed tide is loosed, and everywhere/The ceremony of innocence is drowned.” (W. B. Yeats, “The Second Coming’) In Terry Johnson’s “Insignificance,” currently running in Room 505 at “Langham Place” in New York City (the first staging…