Joan Marcus

Off-Broadway Review: “A Bright Room Called Day” at The Public’s Anspacher Theater

Tony Kushner’s dystopian vision has a firm grounding in the history of the rise of fascism in Germany in the early 1930s and in the methodical and somewhat meteoric rise of Adolf Hitler to Chancellor of the German Reich. This vision is embodied in “A Bright Room Called Day” currently running at The Public’s Anspacher Theater. Mr. Kushner places himself…

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Broadway Review: “A Christmas Carol” at the Lyceum Theatre

New York City has several options of entertainment that certainly succeed in spreading some holiday cheer, but there happens to be something special happening at the Lyceum Theatre that might capture your heart, make you smile, and possibly shed a tear, all in the spirit of Christmas. It is the Old Vic Production of the Dickens classic, “A Christmas Carol”…

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Off-Broadway Review: “Seared” in the Susan & Ronald Frankel Theater at the Robert W. Wilson MCC Theater Space

Successful entrepreneurs like Harry (an overzealous but hypersensitive Raúl Esparza) typically attempt to guard their “art” from “commerce” for as long as possible. They feel frightened by the prospect of commercial success overwhelming their sense of artistic integrity. At least that is Harry’s point of view in Theresa Rebeck’s “Seared” currently running in the Susan & Ronald Frankel Theater at…

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Off-Broadway Review: “The Michaels” at The Public’s LuEsther Hall

Once again playwright Richard Nelson has gathered another family around the colloquial table to observe their trials and tribulations as they conquer another day of survival in Rhinebeck, New York. This time around it is “The Michaels” who are the subjects of this intimate study of human behavior. The revelations evolve almost in real time as friends and family convene…

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Off-Broadway Review: “The Underlying Chris” at Second Stage’s Tony Kiser Theater

A three-month-old infant named Chris looks up from his stroller at his thirty-something mother (Hannah Cabell) as she makes an appointment with his pediatrician for the next day at 11:15. Chris has twisted himself and possibly hurt his back after his big stuffed toy carrot hits him in the eye. Chris’s back injury isn’t the worst of his or his…

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Off-Broadway Review: “Macbeth” at the Lynn F. Angelson Theater at Classic Stage Company

There has always been a curiosity and appreciation for bold attempts at new interpretations or the reimagining of the classics and it seems there have been endless attempts on putting a new spin on more than one of these masterworks. There appears to be one more paradigm of this artistic endeavor in the Classic Stage Company’s new production of “Macbeth”…

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Broadway Review: “The Rose Tattoo” at the American Airlines Theatre on Broadway

Following in the footsteps of Maureen Stapleton in the original and first revival and Mercedes Ruehl featured in the second revival on Broadway comes Marisa Tomei as Serafina Delle Rose in the current production of “The Rose Tattoo” at Roundabout American Airlines Theatre. This rare tragic comedy by Tennessee Williams about a heartbroken, widowed, Italian American who shuts herself off…

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Off-Broadway Review: “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf” at The Public Theater’s Martinson Hall

Since its premiere at The Public in 1976 and its subsequent transfer to Broadway later that year, much has happened to continue to impact the lives of the women of color celebrated by Ntozake Shange in her choreopoem “For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf” currently running at The Public Theater’s Martinson Hall. In this incarnation,…

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Off-Broadway Review: “Heroes of the Fourth Turning” at Playwrights Horizons Mainstage Theater

Three Gen Y Conservative Christians gather at Justin’s (a thoughtful and broken Jeb Kraeger) backyard in Lander, Wyoming to celebrate Generation X Gina’s (a confident and willful Michelle Pawk) inauguration as president of Transfiguration College of Wyoming. These “heroes” are preparing for a battle of Armageddon-like proportions. They do not simply disagree with those infidels on the left: they despise…

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Broadway Review: “Linda Vista” at Second Stage Theater’s Helen Hayes Theater

The sharp and witty dialogue of the latest dramedy penned by playwright Tracy Letts is foreshadowed by the title “Linda Vista” which means “pretty view” in Spanish. The midlife crisis of a bitter fifty-year-old, divorced, white male, who seems to have an insatiable libido and absolutely no respect for women – preferring to exhibit his unbridled male testosterone – is…

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