Off-Broadway Review: Red Bull Theater’s “American Moor” at Cherry Lane Theatre

Keith Hamilton Cobb has been on an urgent mission, crisscrossing the United States since 2013 performing his “American Moor.” Mr. Cobb’s almost-one-man-show is a trope, here an extended metaphor, for the pressing need for dialogue around the systemic racism and other “false securities that our society rests on” (Rachel Elizabeth Cargle). Keith Hamilton Cobb makes it clear that unless we…

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Off-Broadway Review: “Dust” at New York Theater Workshop in the Fourth Street Theater

Elisabeth Kübler-Ross’s groundbreaking “On Death and Dying” was first published in 1969. The Grief Cycle outlined in this book remains the standard for understanding the “stages” of bereavement for those survivors of death. Milly Thomas’s “Dust” currently running at New York Theatre Workshop in the Fourth Street Theatre provides a new standard of understanding the stages of grief, one for…

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Off-Broadway Review: Chatillion Stage Company’s “Tech Support” at 59E59 Theaters

Chatillion Stage Company’s “Tech Support,” currently running at 59E59 Theaters, begins with the play’s protagonist Pamela Stark (Margot White) frantically pacing around in her West Village well-appointed apartment as she remains on hold waiting for tech support for her malfunctioning printer. Pamela deals in antique books and when she finally reaches tech support, she tells Chip, “I need to pack…

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Broadway Review: “Sea Wall / A Life” at the Hudson Theatre

After a successful run at the Public’s Newman Theater earlier this year, “Sea Wall / A Life” by Simon Stephens and Nick Payne opened at Broadway’s Hudson Theatre on August 8th, 2019. Both are haunting and unforgettable plays, each performed by a brilliant actor. In Simon Stephens’ “Sea Wall,” Tom Sturridge portrays Alex, a photographer on a holiday with his…

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Off-Broadway Review: Ma-Yi Theater Company’s “Felix Starro” at Theatre Row

Currently running at Theatre Row, Ma-Yi Theater Company’s “Felix Starro” launches the Company’s 30th Anniversary Season. The musical is based on Filipino-American writer Lysley Tenorio’s short story of the same name that appeared in his 2012 collection “Monstress” in which “a famous Filipino faith healer and his grandson Junior conduct an illicit business in San Francisco, though each has his…

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Off-Broadway Review: “Make Believe” at Second Stage’s Tony Kiser Theater

The nature-nurture psychological debate and the predestined-free will theological debate collide in Bess Wohl’s “Make Believe” currently running at Second Stage’s Tony Kiser Theater, resulting in the brave and somewhat disturbing exploration of the blurred boundaries between what is perceived to be real life and what is perceived to be make-believe. The playwright raises several enduring questions, including whether there…

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Off-Broadway Review: Final Thoughts on the Engaging “Rinse, Repeat” at the Romulus Linney Courtyard Theatre at the Pershing Square Signature Center

Performances of a new off-Broadway play begin with previews, advance through opening night and reviews, and settle into a run of some indeterminate length depending on original projections of success and extensions, finally closing leaving the play’s actors and creative team in the beginnings of yet another post-closing bereavement process. But what of the play itself? Did the run of…

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Off-Broadway Preview: “Little Shop of Horrors” Opens at The Westside Theatre

The producers of the Off-Broadway return of Howard Ashman and Alan Menken’s landmark musical “Little Shop of Horrors” have announced that Tony Award nominee Gideon Glick (“To Kill A Mockingbird,” “Significant Other”) will join the cast of the production for two weeks only, from Tuesday, November 5 – Sunday, November 17, while original star Jonathan Groff is on a scheduled…

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Theatre News: “The 2019 State of the Theatre Address”

In years past, the common complaints one heard about “the state of theatre” were primarily about the steep prices that had seemed to rise ever so quickly but then were passed off as just a sign of the times. Other quips that could be heard were concerns about subject matter, nudity, or foul language. Then there was the appearance of…

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Broadway Review: “Moulin Rouge! The Musical” at the Al Hirschfeld Theatre

Although the new Broadway musical “Moulin Rouge! The Musical” takes place in Paris in 1899, it is without a doubt a “Cabaret” for the 21st Century. It captures the sounds of Lady Gaga, Katie Perry, Patti Labelle, Beyonce, Elton John and an endless host of others as they are woven into the plot with unequivocal brilliance. Those all familiar high-octane…

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