Off-Broadway

Off-Broadway Review: “Light Shining in Buckinghamshire” Muses Successfully on Revolution at New York Theatre Workshop

In an October 17, 2015 “New York Post” article, Michael Goodwin raises the rich, albeit uncomfortable, proposition of James Piereson in his July 2015 book “Shattered Consensus: The Rise and Decline of America’s Postwar Political Order;” namely, “America is due for a revolution.” In the “Post” article, Mr. Goodwin summarizes Mr. Pierson’s argument thusly: “there is an inevitable “revolution” coming…

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Off-Broadway Review: “Woman and Scarecrow” Challenges the Living at Irish Repertory Theatre’s W. Scott McLucas Stage

“[One] not busy being born is busy dying.” – Bob Dylan, “It’s Alright, Ma (I’m Only Bleeding)” It is one thing to have an imaginary friend, created to be summoned at will for conversation, company, and surcease from sorrow. It is quite another thing to have an alter ego, perhaps once created, but able to appear at its will and…

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Off-Broadway Review: “The Beast in the Jungle” at the Vineyard Theatre

A novella by Henry James is the inspiration for the new Dance Play “The Beast in the Jungle” which marks the final mainstage production of the Vineyard Theater’s 35th Anniversary Season. The book by David Thompson follows the escapades of John Marcher (a credible Peter Friedman) over several decades, as he battles demons and searches for the single entity that…

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Off-Broadway Review: “Peace for Mary Frances” at the New Group at Pershing Square Center’s Alice Griffin Jewel Box Theatre

There are many victims in the new family drama penned by Lily Thorne, but perhaps the audience is the most unfortunate casualty, having to suffer through this slow, protracted, insipid production for over two-and-a-half hours and wishing that “Peace for Mary Frances” would have come much sooner. The structure of the play is problematic: the series of short scenes ranging…

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Off-Broadway Review: “The Gentleman Caller” at the Cherry Lane Theatre

May 14, 2018 | abingdon theatre, LGBTQ+, Off-Broadway > | "The Gentleman Caller", Abingdon Theatre Company, Cherry Lane Theatre, Christian Frederickson, Daniel K. Isaac, Hunter Kaczorowski, Juan Francisco Villa, LGBT, LGBTQ, LGBTQA, Maria Baranova, Philip Dawkins, Sara C. Walsh, Tony Speciale, Zach Blane

“The Gentleman Caller” was the predecessor of Tennessee Williams first successful play “The Glass Menagerie” which opened in 1944 in Chicago and happens to be the title of a new play by Philip Dawkins which is having its New York premiere at Cherry Lane Theatre, being produced by Abingdon Theatre Company. Perhaps Mr. Dawkins should have taken the hint from…

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Off-Broadway Review: Clare Barron’s “Dance Nation” Explores the Angst of Adolescence with Cathartic Wit at Playwrights Horizons’ Peter Jay Sharp Theater

Clare Barron’s “Dance Nation” Explores the Angst of Adolescence with Cathartic Wit. Separation-individuation is one of life’s most difficult passages: it is completed successfully by most; however, more than might be suspected remain in the mire of adolescence all their lives. Prepubescence is supposed to erupt in adulthood – adults emerging where clingy parent-dependent pre-teens once held sway. It is…

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Off-Broadway Review: Sensibility Reigns in “Summer and Smoke” at Classic Stage Company

Begun in 1945, and first produced in 1947, Tennessee Williams called “Summer and Smoke” a “drama of sensibility.” Rich in allegory, yet grounded in realism, the play explores the deep conflicts between body and soul and between the sacred and the profane and examines the themes of the marginalized and the results of having a poorly integrated sexuality. Currently running…

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Outer Critics Circle Announces Its 68th Annual Awards Nominees for the 2017-2018 Season

April 24, 2018 | Broadway, carousel, mean girls, my fair lady, News, Off-Broadway, once on this island, spongebob, the field, the nap > | 2017-2018 Nominees, Jenn Colella, Katrina Lenk, Outer Critics Circle Award

Outer Critics Circle, the organization of writers and commentators covering New York theater for out-of-town newspapers, national publications and other media beyond Broadway, announced today (April 24, 2018) its nominees for the 2017-18 season. Broadway’s “Come From Away” star Jenn Colella along with “The Band’s Visit” sensation Katrina Lenk presided over the (11:00 a.m.) announcement ceremony in the Oak Room…

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Off-Broadway Preview: The Amoralists Announce Their Eleventh Season, “Ricochet”

April 23, 2018 | black no, days of rage broadway, days of rage theatre, dolphins and sharks, Off-Broadway > | "Ricochet", Charly Evon Simpson, Gabriel Jason Dean, James Anthony Tyler, James Kautz, Russ Rowland, The Amoralists

The Amoralists (James Kautz, Artistic Director) announce their 11th season, RICOCHET: An Amoralists Anthology about Surviving an American Epidemic. RICOCHET will feature four boundary-pushing original, intersecting plays that follow a community as it copes with the aftermath of a mass shooting. Written by The Amoralists 2018/2019 ‘WRIGHT CLUB playwrights, Gabriel Jason Dean, Charly Evon Simpson, and James Anthony Tyler, the…

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Off-Broadway Review: “The Seafarer” at Irish Repertory Theatre

The latest offering of the Irish Repertory Theatre is the revival of “The Seafearer” by Conor McPherson, which opened on Broadway in 2007 and was nominated for a TONY award for best play that season. It follows the renowned style of the playwright, producing incredible natural dialogue, executed in somewhat ordinary life situations, with a collection of disreputable characters, and…

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