Off-Broadway

Off-Broadway Review: “Halfway Bitches Go Straight to Heaven” at Atlantic Theatre Company’s Linda Gross Theatre

The epic new work penned by Stephen Adly Guirgis entitled “Halfway Bitches Go Straight to Heaven” refers to the vast array of residents in a transitional shelter for women on the upper Westside of Manhattan. It is a motley group of misfits of every age, race, size, color and sexual status that seem to have a firm grip on the…

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Off-Broadway Review: WP Theater/Second Stage Theater’s “Our Dear Dead Drug Lord” at the McGinn/Cazale Theater

“But women only need themselves to plant seeds in hearts and minds that stab and twist when they begin to root, ensnaring us all with just a thought.” – Pablo F***ing Escobar in “My Dear Dead Drug Lord” Alexis Sheer’s “Our Dear Dead Drug Lord,” in its final days at the McGinn/Cazale Theater, is deeply disturbing and profoundly important. Co-produced…

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Off-Broadway Review: “A Bright Room Called Day” at The Public’s Anspacher Theater

Tony Kushner’s dystopian vision has a firm grounding in the history of the rise of fascism in Germany in the early 1930s and in the methodical and somewhat meteoric rise of Adolf Hitler to Chancellor of the German Reich. This vision is embodied in “A Bright Room Called Day” currently running at The Public’s Anspacher Theater. Mr. Kushner places himself…

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Off-Broadway Review: The New Group’s “Cyrano” at the Daryl Roth Theatre

Edmond Rostrand’s play “Cyrano de Bergerac,” written in verse in 1897 is one of, if not the most tragic love story of all time. It introduced the word ‘panache’ into the English language and Cyrano himself remarks about his own “panache” in the play. This of course refers to his skillful swordplay, exquisite poetry, adroit musicianship and finally the hallmark…

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Off-Broadway Review: The New Group’s “one in two” in the Alice Griffin Jewel Box Theatre at the Pershing Square Signature Center

The title of Donja R. Love’s play “one in two,” currently running in The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center, is reflective of the alarming 2016 study released by the CDC, which projected that “one in two Black gay and bisexual men will be diagnosed with HIV in their lifetime.” Trapped in a stark white…

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Off-Broadway Review: “The Crucible” at The Connelly Theater

Bedlam is back, creating all the bedlam needed to lift “The Crucible” by Arthur Miller to a new level, making it one of the most exciting and poignant productions of this classic play to hit New York stages. The chaos begins when you enter the theater. You are seated in the waiting area on various wooden chairs that surround an…

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Off-Broadway Review: “One November Yankee” at 59E59 Theaters

Veteran actors of screen, stage, and television Harry Hamlin and Stefanie Powers do their best to bring Joshua Ravetch’s “One November Yankee” to the stage at 59E59 Theaters on Manhattan’s Upper East Side. Despite their heroic efforts, Ravitch’s script lacks the sophistication and strength to match the formidable skills of the cast. The three stories that make up “One November…

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Off-Broadway Review: “Everything Is Super Great” at 59E59 Theaters

Loss looms large over four Texas residents in Stephen Brown’s “Everything Is Super Great” currently running at 59E59 Theaters. Nineteen-year-old Tommy (a sullen and hapless Will Sarratt) has lost his father, his brother, and he’s “not really allowed inside of an Applebee’s ever again.” Tommy’s mother Anne (a bellicose and overwhelmed Marcia Debonis) has lost her friends, her husband, one…

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Off-Broadway Review: “Seared” in the Susan & Ronald Frankel Theater at the Robert W. Wilson MCC Theater Space

Successful entrepreneurs like Harry (an overzealous but hypersensitive Raúl Esparza) typically attempt to guard their “art” from “commerce” for as long as possible. They feel frightened by the prospect of commercial success overwhelming their sense of artistic integrity. At least that is Harry’s point of view in Theresa Rebeck’s “Seared” currently running in the Susan & Ronald Frankel Theater at…

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Off-Broadway Review: “Bella Bella” at Manhattan Theatre Club’s New York City Center Stage I

There are times during Harvey Fierstein’s performance in his “Bella Bella,” currently playing at Manhattan Theatre Club’s New York City Center Stage I, that the audience is convinced – sans dress, sans hat, sans props – that he is the iconic social activist “Battling Bella.” When Mr. Fierstein channels Bella’s admonitions about the “voice of the people” superseding the importance…

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