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Maria-Christina Oliveras

Broadway Review: “The Balusters” at Manhattan Theatre Club’s Samuel J. Friedman Theatre (Currently On)

April 21, 2026 | Broadway, LGBTQ+, Queer > | Tags: "The Balusters", Allen Lee Hughes (Lighting Design), Anika Noni Rose, Caparelliotis Casting & Kelly Gillespie (casting), Carl Clemons-Hopkins, Dan Moses Schreier (Original Music and Sound Design), David Lindsay-Abaire, David Roberts, Deborah Hecht (Vocal Coach), Derek McLane (Scenic Design), Emilio Sosa (costume design), Ioana Alfonso (Movement & Associate Director), J. Jared Janas (Hair & Make-up Design), Janette Braggs (Stage Manager), Jeena Yi, Jeremy Daniel, Kayli Carter, Kenny Leon, Manhattan Theatre Club, Margaret Colin, Maria-Christina Oliveras, Marylouise Burke, Michael Esper, New York Theatre Reviews, Ricardo Chavira, Richard Thomas, Samuel J. Friedman Theatre, Theatre Reviews, Theatre Reviews Limited, Thomas Schall (Fight Direction), Tripp Phillips (Production Stage Manager)

Balusters are the decorative posts that support a porch railing – without them, the whole structure collapses. In David Lindsay-Abaire’s wickedly sharp “The Balusters,” now at Manhattan Theatre Club’s Samuel J. Friedman Theatre, the title works both literally and metaphorically. The Vernon Point Neighborhood Association spends considerable energy debating historically appropriate balusters for the Crawfords’ front porch, but what they…

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