Gabriel Ebert

Broadway Review: “John Proctor is the Villain” at the Booth Theatre (Extended through Sunday, July 6, 2025)

May 4, 2025 | liberation, Off-Broadway > | "John Proctor is the Villain", Amalia Yoo, Booth Theatre, costume design by Sarah Laux, Danya Taymor, David Roberts, dramaturgy by Lauren Halvorsen, Fina Strazza, Fiona Robberson, Gabriel Ebert, Garrett Young, Hagan Oliveras, hair & makeup design by J. Jared Janas, intimacy coordination by Ann James, Julieta Cervantes, Kimberly Belflower, lighting design by Natasha Katz, Maggie Kuntz, Molly Griggs, Morgan Scott, movement direction by Tilly Evans-Krueger, New York Theatre Reviews, Nihar Duvvuri, Noah Pacht, production stage management by Kamra A. Jacobs, projection design by Hannah Wasileski, Sadie Sink, scenography by AMP featuring Teresa L. Williams, Shian Tomlinson, sound design and original composition by Palmer Hefferan, Taylor Williams, Theatre Reviews, Theatre Reviews Limited, Victoria Yoo, voice text and dialect coaching by Gigi Buffington

The “Match” in Kimberly Belflower’s thoughtful new play “John Proctor is the Villain,” currently playing at the Booth Theatre, is between the heavyweight team “Toxic Masculinity” and the underdogs “The Feminist Club.” The match takes place in Mr. Carter Smith’s (a far-too-transparent Gabriel Ebert) classroom “during spring semester, junior year, 2018 at Helen County High, the only high school in…

Broadway Review: “Pass Over” at the August Wilson Theatre (Closed Sunday October 10, 2021)

September 16, 2021 | Broadway, pass over, transl, trapped > | "Pass Over", "Waiting for Godot", Antoinette Chinonye Nwandu, August Wilson Theatre, Camille Hickman, Daniel Swee, Danya Taymor, Erica A. Hart, Gabriel Ebert, Joan Marcus, Jon Michael Hill, Justin Ellington, Marcus Doshi, Namir Smallwood, Samuel Beckett, Sarafina Bush, Wilson Chin

In Antoinette Chinonye Nwandu’s most recent iteration of “Pass Over,” two “brothers” Moses (Jon Michael Hill) and Kitch (Namir Smallwood) engage in an interminable exchange of escapist fantasy-dialogue in which they ask one another, “What kind of plans you got?” Moses’ His Promised Land Top 10 list includes “reaching his full potential,” “getting his ass off this block,” “a penthouse…

Broadway Review: “Time and the Conways” at the American Airlines Theatre

“No, Time’s only a kind of dream, Kay. If it wasn’t, it would have to destroy everything—the whole universe—and then remake it again every tenth of a second. But Time doesn’t destroy anything. It merely moves us on—in this life—from one peephole to the next.” – Alan to Kay Rebecca Taichman’s staging of “Time and the Conways,” currently running at…