Costume Design by Qween Jean

Off-Broadway Review: “Oh Happy Day!” at the Public’s Martinson Hall (Closed Sunday, November 2, 2025)

Jordan E. Cooper’s “Oh Happy Day!” at The Public Theater promises to explore whether a queer man rejected and abused by the church can choose his own happiness on his own terms. It’s a radical question that deserves a radical answer. But Cooper delivers a morality tale about earning God’s love through forgiveness and obedience instead. His protagonist Keyshawn (played…

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Off-Broadway Review: “Saturday Church” at New York Theatre Workshop (Closed Friday, October 24, 2025)

The new musical “Saturday Church” which is now playing at NYTW, is based on the 2017 film written and directed by Damon Cardasis, who also co-wrote the book for this production alongside James Ijames. This quasi-jukebox musical attempts to weave the music of Sia into the storyline, but it is also only quasi-successful in this endeavor. Too often the music…

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Off-Broadway Review: “Angry Alan” at Sound Seaview (Closed Sunday, August 3, 2025)

The inaugural production of Seaview Studio, the newly renovated Off-Broadway theater (formerly known as the Tony Kiser), is titled “Angry Alan,” penned by playwright Penelope Skinner and starring John Krasinski. Mr. Krasinski is not Alan, he is Roger, an insecure, confused, gullible “everyman” who quickly falls down a rabbit hole on the internet, where he learns how to place blame…

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Off-Broadway Review: “The Seven Year Disappear” at the Pershing Signature Center (Closed on Sunday, March 31, 2024)

As patrons enter the performance of Jordan Seavey’s “The Seven Year Disappear” at The Pershing Square Signature Center, they see Miriam (Cynthia Nixon) sitting across from her thirty-something son Naphtali (Taylor Trensch). The two are motionless and intently staring at one another in the style of Yugoslav performance artist Marina Abramović facing off with a MoMA patron in the famed…

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