Off-Broadway Review: “You’re A Good Man, Charlie Brown” at the York Theatre Company

The new production of “You’re A Good Man, Charlie Brown” at the York Theater Company would seem to be a clever idea, using age appropriate actors to portray the renowned Peanuts characters, especially after a successful concert version at “54 Below.” The difficulty with this concept is that the show was not written for children to perform. The vocals needed…

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Review: “Cal in Camo” Rattles the Psyche at Rattlestick Playwrights Theater

Cal (played with a haunting despair by Katya Campbell) is in a mess. Urban Chicago was the ideal place for her husband Tim (played with a brave vulnerability by David Harbour) to make money pitching beer distributors’ craft brews but not the ideal place for Cal – who grew up in rural Missouri – to live and the raise her…

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Broadway Review: “American Psycho” Teases the Psyche at the Gerald Schoenfeld Theatre

Change one letter in the phrase ‘American Psycho’ to form a phrase that describes the essence of Roberto Aguirre-Sacasa/Duncan Sheik’s musical currently playing at the Gerald Schoenfeld Theatre – a phrase that handily explains why the musical garnered such praise on the London stage. The result: ‘American Psyche.” Brits love watching the foibles of their “children across the pond” play…

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Off-Broadway Review: “Peer Gynt” at the Classic Stage Company

“I tell you the truth, unless a kernel of wheat falls to the ground and dies, it remains only a single seed. But if it dies, it produces many seeds. The man who loves his life will lose it, while the man who hates his life in this world will keep it for eternal life.” (John 12:24) One legitimate critical…

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Off-Broadway Review: “Incognito” at Manhattan Theatre Club at New York City Center Stage I

The jury remains out in the scientific community: which came first the brain or the mind? Throw into the discussion precisely where memory resides and how it is accessed and the debate becomes even more interesting and convoluted. Playwright Nick Payne focuses his interest on the brain and memory and in the American premiere of his “Incognito” – currently playing…

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Off-Broadway Review: “Hadestown” Redefines Mythos at the New York Theatre Workshop

With some surprise – and a modicum of disbelief – I overheard the two Millennials settling in behind me at the performance of “Hadestown” I attended at the New York Theatre Workshop sharing that they “had no idea” what the show they were there to see was about. Is it possible to reach ones 20s and 30s and not know…

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Off-Broadway Review: “Indecent” Challenges the Power of Death at the Vineyard Theatre

May 23, 2016 | indecent, LGBTQ+, Off-Broadway | Tags: ,

Created by Paula Vogel and Rebecca Taichman, “Indecent” could not have opened at the Vineyard Theatre at a more auspicious time. In the midst of an increasingly frenzied discussion about what is and what is not decent in contemporary American society and culture, this remarkable and stunning play – based on true events surrounding the 1923 Broadway debut of Sholem…

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News: The Artist Co-op Pop Up at the Center for Social Innovation

NEW YORK, NY – May 23, 2016 – The Artist Co-op Pop Up, a shared workspace for performing artists, uniting New York City’s actors directors, dancers, playwrights, and more, with programs and services to support the performing arts community, is launching June 7-10. Taking place at the Center for Social Innovation, 601 W 26th St #325, New York, NY, the…

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Broadway Review: “Waitress” Satisfies the Senses at the Brooks Atkinson Theatre

You will be forgiven if you walk into the Brooks Atkinson Theatre and wonder if you have mistakenly ended up at the neighborhood diner. Yes, that is the aroma of warm cinnamon tickling your nose. And yes, it turns out to be a pretty apt metaphor for the show you are about to see. “Waitress,” after all, mostly takes place…

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Off-Off-Broadway Review: “The Place We Built” at the Flea Theater

“I like being able to define my species. And so I guess for the Seagull I don’t know anything, I’m an outside observer, but I think They found the beauty in being outside They made a place where they could define themselves.” Aisha/Nar The thirty-something Jewish Bohemians in “The Place We Built,” currently running at the Flea Theater, who in…

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