“So high you can’t get over it /So low you can’t get under it /So wide you can’t get ’round it /You gotta’ go in at the door.” – Traditional American Gospel Song In The New Group’s spellbinding production “Clive” at the Acorn Theatre, Clive the protagonist does all he can to avoid redemption (going in at the door), including…
“Children of Paradise,” Richmond Shepard’s new play being performed at the Theater for the New City, is a combination of several mime pieces seen in the film version of the same name and the life story of Baptiste Gaspard Debureau the famous pantomime who performed in France during the 19th century. The spoken dialogue in the script provides information about…
As the twenty-first century moves forward, events national and global have not only raised mortgage rates, the rate of unemployment, the amount of the national debt, and the level of bickering in the United States Congress but also has raised the level of national, global, and personal rage. That level of rage is apparent in the experience of many in…
If the opportunity returns next year, plan to spend Valentine’s Day at the Metropolitan Room. Make dinner reservations early in the evening and head over to the Room for dessert and drinks and experience love songs performed – as they were this Valentine’s Day – with a dash of grace, and style, and panache. On this Valentine’s Day, nine talented…
David Brenner returns to New York City in his Homecoming Performance at the Metropolitan Room. The Metropolitan Room is the location of the original Gotham Comedy Club, where Brenner performed regularly in his early years. In a tour de force ninety-minute performance, Mr. Brenner laces the engaging story of his iconic career in comedy with an avalanche of humor that…
In his seventeenth-century poem “On Time,” John Milton envisions humankind’s triumph over “envious Time.” Milton writes, “When once our heav’nly-guided soul shall clime, / Then all this Earthy grosnes quit, / Attir’d with Stars, we shall for ever sit, / Triumphing over Death, and Chance, and thee O Time.” Time (and all its vicissitudes) is the subject of “All in…
Often blending the velvety vibrato of Edith Piaf with the physicality of Judy Garland, Carole J. Bufford creates a unique and savvy song styling with which she graces the Metropolitan Room in her new “Body and Soul” which plays at the iconic Room on Wednesdays through February 27. Exhibiting a marvelous clear tone and vocal quality, impeccable (and often unique)…
The iconic Pia Zadora returned to the New York stage on Thursday February 7, 2013 at the Metropolitan Room for the first of five performances of her new show “Back Again and Standing Tall.” Ms. Zadora is indeed back with the feeling of celebrity status in a room filled with clicking cameras and adorned in glittering Hollywood style sequins to…
Everyone in Paul Bomba’s “The Man Under,” currently running at 59E59 Theater C, is either in need of being saved (Jeff) or needs to be a savior (Martin), is skilled at being a confessor (Martin again) or is a practiced penitent (Jennifer), is either into holding hands and cuddling (Jeff) or into asphyxiophilia (Lisa). Any or all of these character…
In the online poetry dictionary “Toto Poetry,” one posted rondelet defines ‘collision’ in this way: “Cause motions, /assume the ready position. /Cause emotions, parasitic oscillations. /To go into operation, /strike with disgust or revulsion. /Cause emotions.” In the Amoralists Theatre Company’s World Premiere of “Collision” currently running at Rattlestick Playwrights Theater, Grange collides with his new roommate Bromley, Professor Denton…