It has taken a very long time, actually 27 years, but Richard Maltby and David Shire have decided that it was “About Time,” their new musical revue, that completes the trilogy which began with “Starting Here, Starting Now” in 1976, followed by “Closer Than Ever” in 1989. It is about life in its third act, getting older and dealing with issues that accompany that journey. Thoughts concerning aging are articulated throughout the twenty-seven musical numbers in the recognizable Maltby/Shire style, with clever lyrics, harmonious music and a distinct humorous fashion. The wonderful content never falls prey to pessimistic attitudes towards aging, but in a way celebrates this period of life by using humor and positivity when dealing with certain situations. What makes it more personal and believable is the cast who have possibly felt the emotional connections they encounter during their performance in real life. The Shire/Maltby team write about what they know, and their cast might be familiar with what they sing. One definitively complements the other.

Some of the stand-out musical numbers include “Little Susan Lawrence”, sung with sentimental flair by Sally Wifert, reminiscing about her first love, and how that feeling will never resurrect again. “Just A House,” delivered by Allyson Kaye, is filled with strong emotion, about a recent widow leaving the house that witnessed most of the important occasions that affected her life. “Done”, one of my favorites, where Lynne Wintersteller sincerely expresses the pitfalls of an aging actor, about to give up after endless rejection. Her outlook changes when a stranger recognizes her and praises her past work, prompting the realization of why it is all worth it. Eddie Korbich gives a lively rendition of “Kensington Kenny” about a gay, cross-dressing vaudeville performer. The song is prompted when Eddie opens the trunk of an ancestor and discovers he was gay, when he himself is struggling with his sexual identity. “I Like Jazz” gives homage to the sound of vinyl records as Daniel Jenkins retreats to a room filled with his collection of jazz recordings. One of the most emotional and moving moments arrives when Darius de Hass masters the song “What Do I Tell My Children.” The lyrics leave Daruis wondering how to explain the present turmoil that the country is facing today and what their future will bring.

The cast is wonderful, conquering solos, duets, trios and group numbers with finesse. The Maltby/Shire team has given us stories about aging, and their stories become each cast member’s stories, which in turn become our stories, all too recognizable. It is just as much about what happens to you when you become a certain age, as it is what you start thinking about and reflecting on. Wisdom, regret, loss, change, and acceptance are all part of the process, but are never portrayed as burdensome. Mr. Maltby’s direction is like his lyrics, always thoughtful, clever, specific and playful. Mr. Shire’s music is melodic, easy on the ears and charming, coaxing emotions and complementing the spirit of every song. Not every song is a winner in that some songs sometimes affect the structure of the piece, but hopefully that can work itself out if it is destined to have a future. Or perhaps certain songs from each part of the trilogy can be combined to create a two-act musical revue. Regardless, for now, it’s all “About Time” that reigns as a very enjoyable evening of entertainment that is smart, sassy and sentimental.